In Staging Scenes from the Operas of Donizetti and Verdi, veteran opera director William Ferrara presents a detailed, practical exploration of the staging of twenty-one scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies, L'Elisir d'amore and Don Pasquale, and guides us through the haunted world of Lucia di Lammmermoor. He explores Verdi's dark themes and imagery in scenes from Rigoletto, and the heartbreaking choices of the characters in La traviata. With signature comic touches, vivid characters, and dynamic stage action, Ferrara brings…mehr
In Staging Scenes from the Operas of Donizetti and Verdi, veteran opera director William Ferrara presents a detailed, practical exploration of the staging of twenty-one scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies, L'Elisir d'amore and Don Pasquale, and guides us through the haunted world of Lucia di Lammmermoor. He explores Verdi's dark themes and imagery in scenes from Rigoletto, and the heartbreaking choices of the characters in La traviata. With signature comic touches, vivid characters, and dynamic stage action, Ferrara brings tried-and-true techniques as well as lively new ideas to these favorite scenes. Topics include study and research, rehearsal planning, blocking, characterization, ideas for simplified sets and props, and costume design. The introduction to each of the five operas includes a brief description of the story and characters, and suggestions for several different approaches to staging-both traditional and modern. The heart of each chapter is the text and translation of the scene, embedded with line-by-line notes on character, movement, emotion, and interaction. This fresh approach to staging an opera scene by applying insights and ideas directly to the text sparks the student's dramatic imagination and inspires a deeper understanding of the connection between words and music. In addition, by exploring creative improvisations, exercises and contemporary parallels, young performers are encouraged to build more authentic and dynamic performances. Intended for college and university voice teachers seeking guidance for developing a scenes program or opera workshop class, this is also the perfect workbook for students studying opera stage direction, as well as graduate and undergraduate students performing opera scenes by Donizetti and Verdi.
William Ferrara is Director of Opera at the University of Oklahoma School of Music. He enjoys an international reputation as a stage director and acting teacher for opera. In his thirty-year career he has directed more than 150 productions of plays, musicals, and operas at colleges and professional theaters across the country and in Italy and South America. He is the author of Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers (2014).
Inhaltsangabe
I. Staging Scenes from Donizetti's L'elisir d'amore (1832): Creating a Village Chapter 1. Chorus Bel conforto al mietitore (Giannetta and Villagers) Chapter 2. Recitative and Duet Chiedi all'aura lusinghiera (Adina and Nemorino) Chapter 3. Recitative and Duet Voglio dire (Nemorino and Dulcamara) Chapter 4. Recitative Caro elisir sei mio! (Nemorino) and Scene and Duet Esulti pur la barbara (Adina and Nemorino) Chapter 5. Chorus Saria possibile? (Giannetta and Girls) and Quartet Dell'elisir mirabile (Adina Giannetta Nemorino Dulcamara and Girls) Chapter 6. Recitative and Duet Quanto amore (Adina and Dulcamara) Chapter 7. Romanza Una furtiva lagrima (Nemorino) and Aria and Duettino Prendi per me se libero (Adina and Nemorino) II. Staging Scenes from Donizetti's Lucia di Lammermoor (1835): Incorporating Ideas from the Novel Chapter 8. Recitative and Cavatina Regnava nel silenzio (Lucia and Alisa) and Recitative and Duet Sulla tomba che rinserra (Lucia and Edgardo) Chapter 9. Recitative and Duet Il pallor funesto orrendo (Normanno Enrico and Lucia) Chapter 10. Recitative and Sextet Chi mi frena in tal momento (Lucia Alisa Edgardo Arturo Enrico and Raimondo) III. Staging Scenes from Donizetti's Don Pasquale (1843): Experimenting with Three Different Settings Chapter 11. Arias Bella siccome un angelo (Dr. Malatesta with Don Pasquale) and Un foco insolito (Don Pasquale) Chapter 12. Aria So anch'io la virtu magica (Norina) and Duet Pronta io son (Norina and Malatesta) Chapter 13. Trio Via da brava (Norina Malatesta and Don Pasquale) Chapter 14. Serenade and Nocturne Com'è gentil (Ernesto and Chorus) and Duet Tornami a dir che m'ami (Ernesto and Norina) Intermezzo: Improvisations and Exercises IV. Staging Scenes from Verdi's Rigoletto (1851): Exploring Theme and Imagery Chapter 15. Duet Deh non parlare al misero (Gilda Rigoletto and Giovanna) Chapter 16. Recitative and Duet Signor ne principe io lo vorrei (Gilda Duke and Giovanna) and Recitative and Aria Caro nome (Gilda) Chapter 17. Recitative and Duet Tutte le feste al tempio (Gilda and Rigoletto) Chapter 18. Recitative and Canzone E l'ami?. . . La donna è mobile (Gilda Rigoletto and Duke) and Quartet Un dì se ben rammentomi (Duke Maddalena Rigoletto and Gilda) V. Staging Scenes from Verdi's La traviata (1853): The Actor's Process Chapter 19. Duet Un dì felice eterea (Violetta and Alfredo) and Recitative and Aria Ah fors'è lui che l'anima . . . Sempre libera (Violetta) Chapter 20. Scene and Duet Pure siccome un angelo . . . Dite alla giovine . . . Morrò! la mia memoria (Violetta Germont Annina and Giuseppe) Chapter 21. Scene Dammi tu forza o cielo! (Violetta and Alfredo) and Recitative and Aria Di Provenza il mar il suol (Germont and Alfredo)
I. Staging Scenes from Donizetti's L'elisir d'amore (1832): Creating a Village Chapter 1. Chorus Bel conforto al mietitore (Giannetta and Villagers) Chapter 2. Recitative and Duet Chiedi all'aura lusinghiera (Adina and Nemorino) Chapter 3. Recitative and Duet Voglio dire (Nemorino and Dulcamara) Chapter 4. Recitative Caro elisir sei mio! (Nemorino) and Scene and Duet Esulti pur la barbara (Adina and Nemorino) Chapter 5. Chorus Saria possibile? (Giannetta and Girls) and Quartet Dell'elisir mirabile (Adina Giannetta Nemorino Dulcamara and Girls) Chapter 6. Recitative and Duet Quanto amore (Adina and Dulcamara) Chapter 7. Romanza Una furtiva lagrima (Nemorino) and Aria and Duettino Prendi per me se libero (Adina and Nemorino) II. Staging Scenes from Donizetti's Lucia di Lammermoor (1835): Incorporating Ideas from the Novel Chapter 8. Recitative and Cavatina Regnava nel silenzio (Lucia and Alisa) and Recitative and Duet Sulla tomba che rinserra (Lucia and Edgardo) Chapter 9. Recitative and Duet Il pallor funesto orrendo (Normanno Enrico and Lucia) Chapter 10. Recitative and Sextet Chi mi frena in tal momento (Lucia Alisa Edgardo Arturo Enrico and Raimondo) III. Staging Scenes from Donizetti's Don Pasquale (1843): Experimenting with Three Different Settings Chapter 11. Arias Bella siccome un angelo (Dr. Malatesta with Don Pasquale) and Un foco insolito (Don Pasquale) Chapter 12. Aria So anch'io la virtu magica (Norina) and Duet Pronta io son (Norina and Malatesta) Chapter 13. Trio Via da brava (Norina Malatesta and Don Pasquale) Chapter 14. Serenade and Nocturne Com'è gentil (Ernesto and Chorus) and Duet Tornami a dir che m'ami (Ernesto and Norina) Intermezzo: Improvisations and Exercises IV. Staging Scenes from Verdi's Rigoletto (1851): Exploring Theme and Imagery Chapter 15. Duet Deh non parlare al misero (Gilda Rigoletto and Giovanna) Chapter 16. Recitative and Duet Signor ne principe io lo vorrei (Gilda Duke and Giovanna) and Recitative and Aria Caro nome (Gilda) Chapter 17. Recitative and Duet Tutte le feste al tempio (Gilda and Rigoletto) Chapter 18. Recitative and Canzone E l'ami?. . . La donna è mobile (Gilda Rigoletto and Duke) and Quartet Un dì se ben rammentomi (Duke Maddalena Rigoletto and Gilda) V. Staging Scenes from Verdi's La traviata (1853): The Actor's Process Chapter 19. Duet Un dì felice eterea (Violetta and Alfredo) and Recitative and Aria Ah fors'è lui che l'anima . . . Sempre libera (Violetta) Chapter 20. Scene and Duet Pure siccome un angelo . . . Dite alla giovine . . . Morrò! la mia memoria (Violetta Germont Annina and Giuseppe) Chapter 21. Scene Dammi tu forza o cielo! (Violetta and Alfredo) and Recitative and Aria Di Provenza il mar il suol (Germont and Alfredo)
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