Peter P. Reed examines the meanings of Haiti in America's nineteenth-century popular performance. Plays, social performances, and literary narratives of Haiti's revolutionary slave revolts transformed racial revolution into popular entertainments and diversions, dramatizing themes of race, freedom, and power in ways that remain impactful today.
Peter P. Reed examines the meanings of Haiti in America's nineteenth-century popular performance. Plays, social performances, and literary narratives of Haiti's revolutionary slave revolts transformed racial revolution into popular entertainments and diversions, dramatizing themes of race, freedom, and power in ways that remain impactful today.
Peter P. Reed is Associate Professor of Early American Literature at the University of Mississippi. He is the author of Rogue Performances (2009) as well as essays on Black Atlantic performance, theatre culture, and Haiti's impact on American culture.
Inhaltsangabe
Introduction: performing the Haitian revolution; 1. Rebels and refugees: sentimental suffering and antic revolt in the 1790s; 2. The lessons of Haiti: performance, pedagogy, and the politics of Haitian independence; 3. Virtuosity, illegitimacy, and Haitian royalty: Ira Aldridge and Christophe, King of Hayti; 4. Travesty and transformation: Haiti and blackface minstrelsy; 5. Abolitionist acts: Haitian respectability, oratory, and celebrity performance; Conclusion: the pleasures and perils of revolutionary reenactment.
Introduction: performing the Haitian revolution; 1. Rebels and refugees: sentimental suffering and antic revolt in the 1790s; 2. The lessons of Haiti: performance, pedagogy, and the politics of Haitian independence; 3. Virtuosity, illegitimacy, and Haitian royalty: Ira Aldridge and Christophe, King of Hayti; 4. Travesty and transformation: Haiti and blackface minstrelsy; 5. Abolitionist acts: Haitian respectability, oratory, and celebrity performance; Conclusion: the pleasures and perils of revolutionary reenactment.
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