Stages of Reckoning
Antiracist and Decolonial Actor Training
Herausgeber: Mihyang Ginther, Amy
Stages of Reckoning
Antiracist and Decolonial Actor Training
Herausgeber: Mihyang Ginther, Amy
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Stages of Reckoning is a crucial conversation about how racialized bodies and power intersect within actor training spaces.
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Stages of Reckoning is a crucial conversation about how racialized bodies and power intersect within actor training spaces.
Produktdetails
- Produktdetails
- Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 268
- Erscheinungstermin: 30. Dezember 2022
- Englisch
- Abmessung: 233mm x 153mm x 18mm
- Gewicht: 448g
- ISBN-13: 9781032225432
- ISBN-10: 1032225432
- Artikelnr.: 65923727
- Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 268
- Erscheinungstermin: 30. Dezember 2022
- Englisch
- Abmessung: 233mm x 153mm x 18mm
- Gewicht: 448g
- ISBN-13: 9781032225432
- ISBN-10: 1032225432
- Artikelnr.: 65923727
Amy Mihyang Ginther is an assistant professor in the Department of Performance, Play & Design at the University of California, Santa Cruz, USA.
List of figures
List of contributors
Acknowledgements
Foreword: navigating liberation: a conversation between friends
Nicole Brewer and Walton Wilson
Introduction: why this book now?
Amy Mihyang Ginther
PART I
Distilling/grounding/performing identities
1 Black queer autoethnographies: tools for equitable teaching and learning
in predominantly white institutions
Gregory King
2 Societal othering of Asian Americans and its perpetuation through casting
Joy Lanceta Coronel
3 Embodying racial consciousness: white allyship as given circumstance and
objective for the casting and coaching of scenework
Rachel E. Blackburn
PART II
Embodying disruption/abstention/resistance
4 I'mma do me: code-switch resistance as collective liberation in voice and
speech classes
Alicia Richardson
5 The erotic of abstinence: refusing the white-possessive and embracing
settler abstinence in performance pedagogy
Maria Teresa Houar
6 Nepantla: lingering in-between to embody our voice
Sayda Trujillo
PART III
Traveling across time/space/language
7 Representation matters: the why and how of decolonizing Stanislavski
actor training
Alison Nicole Vasquez
8 Empowering the somatically othered actor through multilingual
improvisation in training
Kristine Landon-Smith and Chris Hay
9 The possibilities of paradox: decolonial Shakespeare process in practice
Amy Mihyang Ginther
PART IV
Transforming across/through/around disciplinarity
10 A time of protest: exploring activism and acting through Hip-Hop
Pedagogy & Theatre of the Oppressed
Daphnie Sicre
11 Whose body is dis: taksu, ase, Black queer intersections, and the
awakening of the actor's spiritual practice
Budi Miller
12 Stigmata: biography of an Arab female body in pain
Maiada Aboud
Afterword: morning rain, parting clouds, and what is to come
Amy Mihyang Ginther and Celia Mercedes Espinosa
Index
List of contributors
Acknowledgements
Foreword: navigating liberation: a conversation between friends
Nicole Brewer and Walton Wilson
Introduction: why this book now?
Amy Mihyang Ginther
PART I
Distilling/grounding/performing identities
1 Black queer autoethnographies: tools for equitable teaching and learning
in predominantly white institutions
Gregory King
2 Societal othering of Asian Americans and its perpetuation through casting
Joy Lanceta Coronel
3 Embodying racial consciousness: white allyship as given circumstance and
objective for the casting and coaching of scenework
Rachel E. Blackburn
PART II
Embodying disruption/abstention/resistance
4 I'mma do me: code-switch resistance as collective liberation in voice and
speech classes
Alicia Richardson
5 The erotic of abstinence: refusing the white-possessive and embracing
settler abstinence in performance pedagogy
Maria Teresa Houar
6 Nepantla: lingering in-between to embody our voice
Sayda Trujillo
PART III
Traveling across time/space/language
7 Representation matters: the why and how of decolonizing Stanislavski
actor training
Alison Nicole Vasquez
8 Empowering the somatically othered actor through multilingual
improvisation in training
Kristine Landon-Smith and Chris Hay
9 The possibilities of paradox: decolonial Shakespeare process in practice
Amy Mihyang Ginther
PART IV
Transforming across/through/around disciplinarity
10 A time of protest: exploring activism and acting through Hip-Hop
Pedagogy & Theatre of the Oppressed
Daphnie Sicre
11 Whose body is dis: taksu, ase, Black queer intersections, and the
awakening of the actor's spiritual practice
Budi Miller
12 Stigmata: biography of an Arab female body in pain
Maiada Aboud
Afterword: morning rain, parting clouds, and what is to come
Amy Mihyang Ginther and Celia Mercedes Espinosa
Index
List of figures
List of contributors
Acknowledgements
Foreword: navigating liberation: a conversation between friends
Nicole Brewer and Walton Wilson
Introduction: why this book now?
Amy Mihyang Ginther
PART I
Distilling/grounding/performing identities
1 Black queer autoethnographies: tools for equitable teaching and learning
in predominantly white institutions
Gregory King
2 Societal othering of Asian Americans and its perpetuation through casting
Joy Lanceta Coronel
3 Embodying racial consciousness: white allyship as given circumstance and
objective for the casting and coaching of scenework
Rachel E. Blackburn
PART II
Embodying disruption/abstention/resistance
4 I'mma do me: code-switch resistance as collective liberation in voice and
speech classes
Alicia Richardson
5 The erotic of abstinence: refusing the white-possessive and embracing
settler abstinence in performance pedagogy
Maria Teresa Houar
6 Nepantla: lingering in-between to embody our voice
Sayda Trujillo
PART III
Traveling across time/space/language
7 Representation matters: the why and how of decolonizing Stanislavski
actor training
Alison Nicole Vasquez
8 Empowering the somatically othered actor through multilingual
improvisation in training
Kristine Landon-Smith and Chris Hay
9 The possibilities of paradox: decolonial Shakespeare process in practice
Amy Mihyang Ginther
PART IV
Transforming across/through/around disciplinarity
10 A time of protest: exploring activism and acting through Hip-Hop
Pedagogy & Theatre of the Oppressed
Daphnie Sicre
11 Whose body is dis: taksu, ase, Black queer intersections, and the
awakening of the actor's spiritual practice
Budi Miller
12 Stigmata: biography of an Arab female body in pain
Maiada Aboud
Afterword: morning rain, parting clouds, and what is to come
Amy Mihyang Ginther and Celia Mercedes Espinosa
Index
List of contributors
Acknowledgements
Foreword: navigating liberation: a conversation between friends
Nicole Brewer and Walton Wilson
Introduction: why this book now?
Amy Mihyang Ginther
PART I
Distilling/grounding/performing identities
1 Black queer autoethnographies: tools for equitable teaching and learning
in predominantly white institutions
Gregory King
2 Societal othering of Asian Americans and its perpetuation through casting
Joy Lanceta Coronel
3 Embodying racial consciousness: white allyship as given circumstance and
objective for the casting and coaching of scenework
Rachel E. Blackburn
PART II
Embodying disruption/abstention/resistance
4 I'mma do me: code-switch resistance as collective liberation in voice and
speech classes
Alicia Richardson
5 The erotic of abstinence: refusing the white-possessive and embracing
settler abstinence in performance pedagogy
Maria Teresa Houar
6 Nepantla: lingering in-between to embody our voice
Sayda Trujillo
PART III
Traveling across time/space/language
7 Representation matters: the why and how of decolonizing Stanislavski
actor training
Alison Nicole Vasquez
8 Empowering the somatically othered actor through multilingual
improvisation in training
Kristine Landon-Smith and Chris Hay
9 The possibilities of paradox: decolonial Shakespeare process in practice
Amy Mihyang Ginther
PART IV
Transforming across/through/around disciplinarity
10 A time of protest: exploring activism and acting through Hip-Hop
Pedagogy & Theatre of the Oppressed
Daphnie Sicre
11 Whose body is dis: taksu, ase, Black queer intersections, and the
awakening of the actor's spiritual practice
Budi Miller
12 Stigmata: biography of an Arab female body in pain
Maiada Aboud
Afterword: morning rain, parting clouds, and what is to come
Amy Mihyang Ginther and Celia Mercedes Espinosa
Index