Special Affects retells the emergence of Disney animation and classical Hollywood cinema from the perspective of affect and the embodied modes of generating affection.
Special Affects retells the emergence of Disney animation and classical Hollywood cinema from the perspective of affect and the embodied modes of generating affection.
Eric S. Jenkins (Ph.D. University of Georgia) grew up in the suburbs in Dallas, Texas, developing a distaste for consumerism and a simultaneously love for all things media like videogames and movies. Subsequently, he studies the interconnection between media and consumerism, with an emphasis on the modes of mediated consumption and their affective capacities. Disney animation was both a first love (of media) and a first hate (of consumerism).
Inhaltsangabe
Acknowledgements List of Illustrations 1. Introduction 2. Astonishment and the Fantastic in Live Action Cinema 3. Say Cheese! The Cinematic Lifestyle Consumer 4. Animation's Marvel and the Graphic Narrative Mode 5. Of Mice and Mimesis: The Wondrous Spark of Disney 6. Mutual Affection-Images and Daydreaming Consumers 7. The Disney Version of the American Dream 8. Walt and Wall-E in Control Society Movies Referenced in Special Affects List of Illustrations Endnotes
Acknowledgements List of Illustrations 1. Introduction 2. Astonishment and the Fantastic in Live Action Cinema 3. Say Cheese! The Cinematic Lifestyle Consumer 4. Animation's Marvel and the Graphic Narrative Mode 5. Of Mice and Mimesis: The Wondrous Spark of Disney 6. Mutual Affection-Images and Daydreaming Consumers 7. The Disney Version of the American Dream 8. Walt and Wall-E in Control Society Movies Referenced in Special Affects List of Illustrations Endnotes
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