Kellie Jones traces how the artists in L.A.'s black communities during the 1960s and 70s created a vibrant, productive, and engaged activist arts scene in the face of structural racism through the production of art works that spoke to African American migration and L.A.'s racial politics.
Kellie Jones traces how the artists in L.A.'s black communities during the 1960s and 70s created a vibrant, productive, and engaged activist arts scene in the face of structural racism through the production of art works that spoke to African American migration and L.A.'s racial politics.
Kellie Jones, a 2016 recipient of a MacArthur "Genius Grant," is Associate Professor of Art History at Columbia University and the author of several books, including EyeMinded: Living and Writing Contemporary Art, also published by Duke University Press. Jones has curated numerous national and international exhibitions, including Now Dig This! Art and Black Los Angeles, 1960–1980 and Witness: Art and Civil Rights in the Sixties.
Inhaltsangabe
List of Illustrations ix Acknowledgments xiii Introduction. South of Pico: Migration, Art, and Black Los Angeles 1 1. Emerge: Putting Southern California on the Art World Map 23 2. Claim: Assemblage and Self-Possession 67 3. Organize: Building an Exhibitionary Complex 139 4. In Motion: The Performative Impulse 185 Conclusion. Noshun: Black Los Angeles and the Global Imagination 265 Notes 277 Selected Bibliography 359 Index 379
List of Illustrations ix Acknowledgments xiii Introduction. South of Pico: Migration, Art, and Black Los Angeles 1 1. Emerge: Putting Southern California on the Art World Map 23 2. Claim: Assemblage and Self-Possession 67 3. Organize: Building an Exhibitionary Complex 139 4. In Motion: The Performative Impulse 185 Conclusion. Noshun: Black Los Angeles and the Global Imagination 265 Notes 277 Selected Bibliography 359 Index 379
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