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As a young student in Paris, O'Connell was first enamored of the intriguing artistic imagery of Augustine's works. The imagery continued to impress him as his scholarship continued. In this work, Augustine's imagery is used as a basis to shed light on some of this thought which had previously puzzled the scholarly world. This book is an imperative addition to any philosophical library and a rich reward for all intrigued by his dramatic use of language and metaphor.