David Suisman is Associate Professor of History at the University of Delaware and is author of Selling Sounds: The Commercial Revolution in American Music. Susan Strasser is Professor of History at the University of Delaware and the author of Waste and Want: A Social History of Trash.
David Suisman is Associate Professor of History at the University of Delaware and is author of Selling Sounds: The Commercial Revolution in American Music. Susan Strasser is Professor of History at the University of Delaware and the author of Waste and Want: A Social History of Trash.
Introduction: Thinking Historically About Sound and Sense —David Suisman PART I: AFFECT AND THE POLITICS OF LISTENING 1. Distracted Listening: On Not Making Sound Choices in the 1930s —David Goodman 2. ''Her Voice a Bullet'': Imaginary Propaganda and the Legendary Broadcasters of World War II —Ann Elizabeth Pfau and David Hochfelder 3. ''Savage Dissonance'': Gender, Voice, and Women's Radio Speech in Argentina, 1930-1945 —Christine Ehrick PART II: SONIC OBJECTS 4. Collectors, Bootleggers, and the Value of Jazz, 1930-1952 —Alex Cummings 5. High-Fidelity Sound as Spectacle and Sublime, 1950-1961 —Eric D. Barry PART III: HEARING ORDER 6. Occupied Listeners: The Legacies of Interwar Radio for France During World War II —Derek W. Vaillant 7. An Audible Sense of Order: Race, Fear, and CB Radio on Los Angeles Freeways in the 1970s —Angela M. Blake PART IV: SOUND COMMERCE 8. ''The People's Orchestra'': Jukeboxes as the Measure of Popular Musical Taste in the 1930s and 1940s —Chris Rasmussen 9. Sounds Local: The Competition for Space and Place in Early U.S. Radio —Bill Kirkpatrick 10. The Sound of Print: Newspapers and the Public Promotion of Early Radio Broadcasting in the United States —Michael Stamm Notes List of Contributors Index Acknowledgments
Introduction: Thinking Historically About Sound and Sense —David Suisman PART I: AFFECT AND THE POLITICS OF LISTENING 1. Distracted Listening: On Not Making Sound Choices in the 1930s —David Goodman 2. ''Her Voice a Bullet'': Imaginary Propaganda and the Legendary Broadcasters of World War II —Ann Elizabeth Pfau and David Hochfelder 3. ''Savage Dissonance'': Gender, Voice, and Women's Radio Speech in Argentina, 1930-1945 —Christine Ehrick PART II: SONIC OBJECTS 4. Collectors, Bootleggers, and the Value of Jazz, 1930-1952 —Alex Cummings 5. High-Fidelity Sound as Spectacle and Sublime, 1950-1961 —Eric D. Barry PART III: HEARING ORDER 6. Occupied Listeners: The Legacies of Interwar Radio for France During World War II —Derek W. Vaillant 7. An Audible Sense of Order: Race, Fear, and CB Radio on Los Angeles Freeways in the 1970s —Angela M. Blake PART IV: SOUND COMMERCE 8. ''The People's Orchestra'': Jukeboxes as the Measure of Popular Musical Taste in the 1930s and 1940s —Chris Rasmussen 9. Sounds Local: The Competition for Space and Place in Early U.S. Radio —Bill Kirkpatrick 10. The Sound of Print: Newspapers and the Public Promotion of Early Radio Broadcasting in the United States —Michael Stamm Notes List of Contributors Index Acknowledgments
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