Margaret Paxson is Senior Associate at the Kennan Institute of the Woodrow Wilson International Center for Scholars. She has published articles in the Washington Post Sunday Magazine and the Wilson Quarterly.
Margaret Paxson is Senior Associate at the Kennan Institute of the Woodrow Wilson International Center for Scholars. She has published articles in the Washington Post Sunday Magazine and the Wilson Quarterly.
Margaret Paxson is Senior Associate at the Kennan Institute of the Woodrow Wilson International Center for Scholars. She has published articles in the Washington Post Sunday Magazine and the Wilson Quarterly.
Inhaltsangabe
Preface Iuliia's Hands Chapter 1: Memory's Topography Memories as Social Acts Continuity and Change Memory as Landscape Chapter 2: Setting the Village in Space and Time The Village Question Solovyovo in Space and Time Chapter 3: Being "One's Own" in Solovyovo Introduction: Social Circles Solovyovo's Sense of Svoi Basic Economic Organization On Unevenness: Hierarchy in Solovyovo Gathering the Other into the Realm of the Self Chapter 4: Radiance Introduction: Narrative Landscapes Svetloe Proshloe: The Radiant Past Rethinking the Radiant Past Chapter 5: Wonders Mir Chudesnogo: The World of Wonders Wonderous Stories Political Wonders "Vse takie, doma luchshe": Anyway, home is best Chapter 6: Healing Setting Space Right Healing, Religion & Magic: Looking for Transformative Powers Obrashchenie in Solovyovo Setting Space Wrong: How Illness Falls Setting Space Right: Heaviness & Lightness Fixing the Social Body through "Dobrom Dobro" Setting Space Right: The Dead, The Rod, Rodina Chapter 7: The Red Corner Introduction: Layers of Memory Krasnyi Ugol: Red and Beautiful Corner Icons in Corner Space Misbehaving Icons Local Khoziaeva in the Corner Chapter 8: Calendars Calendrical Topography: The Poetics of Revelry Calendars in Rural Russia: Confrontations of Time-Space Memory and Necessity Gulianki and Il'in Den' Victory Day and State Remembrance Days Troitsa and Remembrance Days of the Rodina Afterword On Lightness and Weight References
Preface Iuliia's Hands Chapter 1: Memory's Topography Memories as Social Acts Continuity and Change Memory as Landscape Chapter 2: Setting the Village in Space and Time The Village Question Solovyovo in Space and Time Chapter 3: Being "One's Own" in Solovyovo Introduction: Social Circles Solovyovo's Sense of Svoi Basic Economic Organization On Unevenness: Hierarchy in Solovyovo Gathering the Other into the Realm of the Self Chapter 4: Radiance Introduction: Narrative Landscapes Svetloe Proshloe: The Radiant Past Rethinking the Radiant Past Chapter 5: Wonders Mir Chudesnogo: The World of Wonders Wonderous Stories Political Wonders "Vse takie, doma luchshe": Anyway, home is best Chapter 6: Healing Setting Space Right Healing, Religion & Magic: Looking for Transformative Powers Obrashchenie in Solovyovo Setting Space Wrong: How Illness Falls Setting Space Right: Heaviness & Lightness Fixing the Social Body through "Dobrom Dobro" Setting Space Right: The Dead, The Rod, Rodina Chapter 7: The Red Corner Introduction: Layers of Memory Krasnyi Ugol: Red and Beautiful Corner Icons in Corner Space Misbehaving Icons Local Khoziaeva in the Corner Chapter 8: Calendars Calendrical Topography: The Poetics of Revelry Calendars in Rural Russia: Confrontations of Time-Space Memory and Necessity Gulianki and Il'in Den' Victory Day and State Remembrance Days Troitsa and Remembrance Days of the Rodina Afterword On Lightness and Weight References
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