This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in Chinaâ s top-down, pro-urban, and profit-oriented socioeconomic transformations.
This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in Chinaâ s top-down, pro-urban, and profit-oriented socioeconomic transformations.
Meiqin Wang is Professor in the Department of Art at California State University, Northridge, USA.
Inhaltsangabe
Introduction: Voices from Below: the Potential of Art Activism Part I: Social Criticism through Art 1. Art Criticism, Exhibition, and Citizen Politics: Wang Nanming and the Theory of Critical Art 2. Waste, Pollution, and Grassroots Environment Activism: Wang Jiuliang and the Art of Documenting Part II: Place Construction with Art 3. Art, Urban Renewal / Cultural Heritage Conservation, and Grassroots Community Building: Zheng Dazhen and the Maker of Lifestyle 4. Art and Place-Making for the People: Zuo Jing and the Trilogy of Rural Reconstruction Part III: Personal Development in Art 5. From Representation to Collaboration: Wen Fang and Her Poverty Alleviation Art 6. The Nurture Effect: Hu Jianqiang, Wang Jun and Art for Children Conclusion: Art and the Right to Bottom-up Social Changes
Introduction: Voices from Below: the Potential of Art Activism Part I: Social Criticism through Art 1. Art Criticism, Exhibition, and Citizen Politics: Wang Nanming and the Theory of Critical Art 2. Waste, Pollution, and Grassroots Environment Activism: Wang Jiuliang and the Art of Documenting Part II: Place Construction with Art 3. Art, Urban Renewal / Cultural Heritage Conservation, and Grassroots Community Building: Zheng Dazhen and the Maker of Lifestyle 4. Art and Place-Making for the People: Zuo Jing and the Trilogy of Rural Reconstruction Part III: Personal Development in Art 5. From Representation to Collaboration: Wen Fang and Her Poverty Alleviation Art 6. The Nurture Effect: Hu Jianqiang, Wang Jun and Art for Children Conclusion: Art and the Right to Bottom-up Social Changes
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