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In Victorian Cornwall, a doctor risks her marriage to fight for female asylum patients: "One of the most memorable heroines of recent fiction " ( The Times, London). Shortlisted for the Wellcome Book Prize for Historical Fiction >Horrified by the brutal attitudes of male doctors and nurses toward their female patients, Ally plunges into the institutional politics of women's mental health at a time when madness is only just being imagined as treatable. She has to contend with a longstanding tradition of permanently institutionalizing women who are deemed difficult, all the while fighting to be…mehr

Produktbeschreibung
In Victorian Cornwall, a doctor risks her marriage to fight for female asylum patients: "One of the most memorable heroines of recent fiction " ( The Times, London). Shortlisted for the Wellcome Book Prize for Historical Fiction >Horrified by the brutal attitudes of male doctors and nurses toward their female patients, Ally plunges into the institutional politics of women's mental health at a time when madness is only just being imagined as treatable. She has to contend with a longstanding tradition of permanently institutionalizing women who are deemed difficult, all the while fighting to be taken seriously in a profession dominated by men. Meanwhile, Tom is overseeing the building of lighthouses, and has a commission from a wealthy collector to bring back embroideries and woodwork. As he travels Japan in search of these enchanting objects, he begins to question the value of the life he left in England. As Ally becomes increasingly absorbed in the moral importance of her work, and Tom pursues his interests on the other side of the world, they will return to each other as different people. From the blustery coast of Western England to the landscape of Japan, Signs for Lost Children offers a "fine exploration of marriage and the complex minds of 'lost children'-that is, all of us" (The New York Times Book Review). "Compelling . . . A quietly devastating portrait of the way identity crumbles when you've nothing, or no one, to pin it to."-The Guardian
Autorenporträt
Sarah Moss was educated at Oxford University and is currently an Associate Professor of Creative Writing at the University of Warwick. She is the author of two novels; Cold Earth (Granta 2010), and Night Waking (Granta 2012), which was selected for the Fiction Uncovered Award in 2011, and the co-author of Chocolate: A Global History. She spent 2009-10 as a visiting lecturer at the University of Iceland, and wrote an account of her time there in Names for the Sea: Strangers in Iceland (Granta 2012) which was shortlisted for the 2013 RSL Ondaatje Prize. Her latest novel, Bodies of Light, was published by Granta Books in 2014.