In Hollywood, we hear, it's all about the money. It's a ready explanation for why so few black films get made. What if the economics that governs film production is so skewed that no film by, about, or for people of colour will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content and cash in black films.
In Hollywood, we hear, it's all about the money. It's a ready explanation for why so few black films get made. What if the economics that governs film production is so skewed that no film by, about, or for people of colour will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content and cash in black films.
MONICA WHITE NDOUNOU is an associate professor of drama, and affiliate faculty in American Studies and International Literary and Visual Studies at Tufts University.
Inhaltsangabe
Introduction: the color of Hollywood: black, white or green? Finding freedom on stage and screen. The plantation lives! Insurrection!: African American film's revolutionary potential through black theatre Black pathology sells: books and films Playing with fire: black women's literature/white box office A breaking the chains of history and genre It' not just business: color-coded economics and original films The paradox of branding, black star power, and box office politics Big business: hip hop gangsta films and black comedies Conclusion: the story behind the numbers
Introduction: the color of Hollywood: black, white or green? Finding freedom on stage and screen. The plantation lives! Insurrection!: African American film's revolutionary potential through black theatre Black pathology sells: books and films Playing with fire: black women's literature/white box office A breaking the chains of history and genre It' not just business: color-coded economics and original films The paradox of branding, black star power, and box office politics Big business: hip hop gangsta films and black comedies Conclusion: the story behind the numbers
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