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This is the first in-depth, comparative analysis of the Globe and the Blackfriars Theatres' performance conditions. Examining how the social and sensory qualities of these sites affected early modern dramatists, audiences and actors, the study also considers recent productions at Shakespeare's Globe and the new Sam Wanamaker Playhouse.

Produktbeschreibung
This is the first in-depth, comparative analysis of the Globe and the Blackfriars Theatres' performance conditions. Examining how the social and sensory qualities of these sites affected early modern dramatists, audiences and actors, the study also considers recent productions at Shakespeare's Globe and the new Sam Wanamaker Playhouse.
Autorenporträt
Sarah Dustagheer is Lecturer in Early Modern Literature at the School of English, University of Kent, Canterbury. She has delivered public talks at the National Theatre, the Royal Opera House and The Marlowe Theatre. She is also a member of Shakespeare's Globe Architecture Research Group, tasked with advising on the maintenance of the Globe and the construction of the Sam Wanamaker Playhouse.