First published in 1990, this title explores the nature of the interaction between Shakespeare and American culture. His plays, Michael Bristol asserts, help to constitute a primary affirmative theme of much American culture criticism, specifically the celebration of individuality and the values of expressive autonomy.
First published in 1990, this title explores the nature of the interaction between Shakespeare and American culture. His plays, Michael Bristol asserts, help to constitute a primary affirmative theme of much American culture criticism, specifically the celebration of individuality and the values of expressive autonomy.
Acknowledgements Introduction Part I: Shakespearizing America: The Institutional Infrastructure 1. Doing Shakespeare: the Political 2. Tradition as a Social Agency 3. The Function of the Archive 4. Editing the Text: the Deuteronomic Reconstruction of Authority Part II: Americanizing Shakespeare: Critical Discourse and Ideology 5. Shakespeare in the American Cultural Imagination 6. Old Historicism 7. From Politics to Sensibility 8. Subversion and its Containment Notes Select Bibliography Index
Acknowledgements Introduction Part I: Shakespearizing America: The Institutional Infrastructure 1. Doing Shakespeare: the Political 2. Tradition as a Social Agency 3. The Function of the Archive 4. Editing the Text: the Deuteronomic Reconstruction of Authority Part II: Americanizing Shakespeare: Critical Discourse and Ideology 5. Shakespeare in the American Cultural Imagination 6. Old Historicism 7. From Politics to Sensibility 8. Subversion and its Containment Notes Select Bibliography Index
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