This book provides a novel account of how Shakespeare creates his great tragic characters. It examines Shakespeare's technique in orchestrating dramatic events alongside Christian notions of rebirth, Badiou's philosophy of event, and process philosophy. It appeals to those interested in Shakespeare, aesthetics, and subjectivity.
This book provides a novel account of how Shakespeare creates his great tragic characters. It examines Shakespeare's technique in orchestrating dramatic events alongside Christian notions of rebirth, Badiou's philosophy of event, and process philosophy. It appeals to those interested in Shakespeare, aesthetics, and subjectivity.
Nicholas Luke is an Australian Rhodes Scholar with degrees in Law and the Arts. He is a Research Fellow at the University of Queensland Node of the Australian Research Council Centre of Excellence for the History of Emotions (Europe, 1100¿1800).
Inhaltsangabe
1. Thinking arrivals: rupture, event, subject 2. The subject of love in Romeo and Juliet 3. Love's late arrival: wonder and terror in Othello's 'High-Wrought Flood' 4. The ghostly event(s) of Hamlet 5. Macbeth: the arrival of evil 6. The Cordelia event: seizing the vanished in King Lear Conclusion Index.
1. Thinking arrivals: rupture, event, subject 2. The subject of love in Romeo and Juliet 3. Love's late arrival: wonder and terror in Othello's 'High-Wrought Flood' 4. The ghostly event(s) of Hamlet 5. Macbeth: the arrival of evil 6. The Cordelia event: seizing the vanished in King Lear Conclusion Index.
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