Located within the turn to religion in Shakespeare studies, this book goes beyond the claim that Shakespeare simply made artistic use of religious material in his drama. It argues that his plays inhabit a complex and rich theological atmosphere, individually, by genre and as a body of work.
Located within the turn to religion in Shakespeare studies, this book goes beyond the claim that Shakespeare simply made artistic use of religious material in his drama. It argues that his plays inhabit a complex and rich theological atmosphere, individually, by genre and as a body of work.
Anthony D. Baker is Clinton S. Quin Professor of Systematic Theology at the Seminary of the Southwest, USA. He is the author of Diagonal Advance: Perfection in Christian Theology (2011), as well as various articles in Modern Theology, Political Theology, The Journal of Anglican Studies, Anglican Theological Review, Heythrop Journal and other journals and collections.
Inhaltsangabe
Foreword Introduction: On God's Hidden Presence Part One: Theology and History 1 Divine Courtesy 2 The Unexceptional King Part Two: Theology and Tragedy 3 The Hidden Double 4 Human Gods Part Three: Theology and Comedy 5 Unauthorized Grace 6 Comic Repentance Conclusion: Shakespeare's Theatrical Good Friday
Foreword Introduction: On God's Hidden Presence Part One: Theology and History 1 Divine Courtesy 2 The Unexceptional King Part Two: Theology and Tragedy 3 The Hidden Double 4 Human Gods Part Three: Theology and Comedy 5 Unauthorized Grace 6 Comic Repentance Conclusion: Shakespeare's Theatrical Good Friday
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309