Shakespeare / Skin offers a comprehensive array of readings of 'skin' in Shakespeare's works, a term that embraces the human and animal, noun and verb. Deliberate in its reimagining of critical and theoretical categories such as queer theory, animal studies and indigenous studies, to name a few, Shakespeare / Skin intervenes in various areas of the field to offer a wide range of methodological approaches grounded in antiracist practice. Each of the chapters interrogates and centres 'skin' in relation to a specific area of expertise: performance studies, eco-criticism, aesthetics, animal…mehr
Shakespeare / Skin offers a comprehensive array of readings of 'skin' in Shakespeare's works, a term that embraces the human and animal, noun and verb. Deliberate in its reimagining of critical and theoretical categories such as queer theory, animal studies and indigenous studies, to name a few, Shakespeare / Skin intervenes in various areas of the field to offer a wide range of methodological approaches grounded in antiracist practice. Each of the chapters interrogates and centres 'skin' in relation to a specific area of expertise: performance studies, eco-criticism, aesthetics, animal studies, religious studies, queer theory, indigenous studies, digital humanities, history, food studies, affect theory, border studies, trans studies, disability studies, Black feminism, disease studies, or pedagogy and together they offer a panoramic reading of skin in Shakespeare's work. With contributors from the USA, UK, South Africa, India, Singapore and Australia, readings are informed by a wide array of histories and shed light on how skin was understood in Shakespeare's time and at key moments during the past 400 years in different media and cultures. For researchers and instructors, Shakespeare / Skin offers an encyclopedic range of readings that will help to shape teaching and inform research through its modelling of antiracist critical practice.
Ruben Espinosa is Associate Professor of English at Arizona State University, USA, and Associate Director of the Arizona Center for Medieval and Renaissance Studies. He is the author of Shakespeare on the Shades of Racism (2021), Masculinity and Marian Efficacy in Shakespeare's England (2011), and co-editor of Shakespeare and Immigration (2014).
Inhaltsangabe
List of Illustrations Notes on Contributors Series Preface Acknowledgements Introduction: Skin Deep Ruben Espinosa (Arizona State University, USA) Chapter 1: Möbius Skin: Dermal History in the Early Modern Age Craig Koslofsky (University of Illinois, Urbana-Champaign, USA) and Sachini Seneviratne (Postgraduate Institute of English of the Open University of Sri Lanka) Chapter 2: 'My fleece of woolly hair': Animals and Race in Shakespeare's Plays Karen Raber (University of Mississippi, USA and Shakespeare Association of America) Chapter 3: 'You May Look Pale': Whiteness and Love Melancholia in Love's Labour's Lost Darryl Chalk (University of Southern Queensland, Australia) Chapter 4: Hermione's Wrinkles Mario DiGangi (CUNY Graduate Center, USA) Chapter 5: Shakespeare and Postcolonial Theory: Incidental Shakespeares and Everyday life in the films of Satyajit Ray Amrita Sen (University of Calcutta, India) Chapter 6: From Hatred to a Utopia: Making the Invisible Visible on the Skin in Miyagi Satoshi's A Midsummer Night's Dream Boram Choi (Korea University of Arts) Chapter 7: Shakespeare and la Herida Abierta: Twin Skin, Colonial Wounds, and the Cicatrix Poetics of Borderlands Theater Katherine Gillen (Texas A&M University-San Antonio, USA) Chapter 8: The Skin of Our Voices: Mendoza or Shakespeare Retold by Los Colochos Alfredo Michel Modenessi (National University of Mexico) Chapter 9: Skin/Pedagogy Wendy Lennon (Shakespeare Institute, UK) Chapter 10: Artisans of the Skin: Recipe Studies and Race-Making in Shakespearean Skincrafts Jennifer Park (University of Glasgow, UK) Chapter 11: Legible Bodies, Implicated Subjects, and the Call for Justice: Reflections on Titus Andronicus Sandra Young (University of Cape Town, South Africa) Chapter 12: Caliban's Skin, Racial Hinges, and Anti-Racist Kin Bernadette Andrea (University of California, Santa Barbara, USA) Chapter 13: Shakespeare/Skin: Indigenous Theoretical Response Bethany Hughes, Tara Moses, Mary Kathryn Nagle and Madeline Sayet in Dialogue Bibliography Index
List of Illustrations Notes on Contributors Series Preface Acknowledgements Introduction: Skin Deep Ruben Espinosa (Arizona State University, USA) Chapter 1: Möbius Skin: Dermal History in the Early Modern Age Craig Koslofsky (University of Illinois, Urbana-Champaign, USA) and Sachini Seneviratne (Postgraduate Institute of English of the Open University of Sri Lanka) Chapter 2: 'My fleece of woolly hair': Animals and Race in Shakespeare's Plays Karen Raber (University of Mississippi, USA and Shakespeare Association of America) Chapter 3: 'You May Look Pale': Whiteness and Love Melancholia in Love's Labour's Lost Darryl Chalk (University of Southern Queensland, Australia) Chapter 4: Hermione's Wrinkles Mario DiGangi (CUNY Graduate Center, USA) Chapter 5: Shakespeare and Postcolonial Theory: Incidental Shakespeares and Everyday life in the films of Satyajit Ray Amrita Sen (University of Calcutta, India) Chapter 6: From Hatred to a Utopia: Making the Invisible Visible on the Skin in Miyagi Satoshi's A Midsummer Night's Dream Boram Choi (Korea University of Arts) Chapter 7: Shakespeare and la Herida Abierta: Twin Skin, Colonial Wounds, and the Cicatrix Poetics of Borderlands Theater Katherine Gillen (Texas A&M University-San Antonio, USA) Chapter 8: The Skin of Our Voices: Mendoza or Shakespeare Retold by Los Colochos Alfredo Michel Modenessi (National University of Mexico) Chapter 9: Skin/Pedagogy Wendy Lennon (Shakespeare Institute, UK) Chapter 10: Artisans of the Skin: Recipe Studies and Race-Making in Shakespearean Skincrafts Jennifer Park (University of Glasgow, UK) Chapter 11: Legible Bodies, Implicated Subjects, and the Call for Justice: Reflections on Titus Andronicus Sandra Young (University of Cape Town, South Africa) Chapter 12: Caliban's Skin, Racial Hinges, and Anti-Racist Kin Bernadette Andrea (University of California, Santa Barbara, USA) Chapter 13: Shakespeare/Skin: Indigenous Theoretical Response Bethany Hughes, Tara Moses, Mary Kathryn Nagle and Madeline Sayet in Dialogue Bibliography Index
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