Surveying the development and varieties of blank verse in the English playhouses, this book is a natural history of iambic pentameter in English. Marina Tarlinskaja's statistical analysis of versification focuses on Shakespeare, but places his work in the literary context of the times. Her results offer new ways to think about the dating of plays, the attribution of anonymous texts, and how collaborators divided their task in co-authored dramas.
Surveying the development and varieties of blank verse in the English playhouses, this book is a natural history of iambic pentameter in English. Marina Tarlinskaja's statistical analysis of versification focuses on Shakespeare, but places his work in the literary context of the times. Her results offer new ways to think about the dating of plays, the attribution of anonymous texts, and how collaborators divided their task in co-authored dramas.
Marina Tarlinskaja is Research Professor of Linguistics at the University of Washington, USA.
Inhaltsangabe
1 Why Study Versification? Versification Analysis; Tests 2 How It All Began: From Surrey's Aeneid to Marlowe's Tamburlaine 3 Early Elizabethan Playwrights: Kyd, Marlowe, Greene, Peele, Early Shakespeare. 2, 3 Henry VI and Arden of Faversham 4 Shakespeare's Versification: Evolution. Co-Authored Plays. The Poem A Lover's Complaint 5 Jacobean and Caroline Playwrights: From Shakespeare to Shirley 6 Conclusions: Shakespeare and Versification, 1540s - 1640s Appendix A: Verse Form and Meaning: Rhythmical Italics Appendix B: General Tables B.1 - B.16
1 Why Study Versification? Versification Analysis; Tests 2 How It All Began: From Surrey's Aeneid to Marlowe's Tamburlaine 3 Early Elizabethan Playwrights: Kyd, Marlowe, Greene, Peele, Early Shakespeare. 2, 3 Henry VI and Arden of Faversham 4 Shakespeare's Versification: Evolution. Co-Authored Plays. The Poem A Lover's Complaint 5 Jacobean and Caroline Playwrights: From Shakespeare to Shirley 6 Conclusions: Shakespeare and Versification, 1540s - 1640s Appendix A: Verse Form and Meaning: Rhythmical Italics Appendix B: General Tables B.1 - B.16
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