This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
Victoria Bladen teaches in literary studies and adaptation at The University of Queensland, Australia Yan Brailowsky is Senior Lecturer in early modern British history and literature at the University of Paris Nanterre
Inhaltsangabe
Introduction: Shakespeare and the supernatural - Victoria Bladen and Yan Brailowsky Part I: Embodying the supernatural 1 Shakespeare's political spectres - Victoria Bladen 2 'Rudely stamped': supernatural generation and the limits of power in Shakespeare's Richard III - Chelsea Phillips 3 Digital puppetry and the supernatural: double Ariel in the Royal Shakespeare Company's The Tempest (2017) - Anchuli Felicia King Part II: Haunted spaces 4 Demons and puns: Revisiting the 'cellarage scene' in Hamlet - Pierre Kapitaniak 5 Performing the Shakespearean supernatural in Avignon: a challenge to the Festival - Florence March Part III: Supernatural utterance and haunted texts 6 Prophecy and the supernatural: Shakespeare's challenges to performativity - Yan Brailowsky 7 Puck, Philostrate and the locus of A Midsummer Night's Dream's topical allegory - Laurie Johnson 8 'Strange intelligence': Transformations of witchcraft in Macbeth discourse - William C. Carroll Part IV: Magic, music and gender 9 Music and magic in The Tempest: Ariel's alchemical songs - Natalie Roulon 10 From Prospero to Prospera: transforming gender and magic on stage and screen - Katharine Goodland Part V: Contemporary transformations 11 'I'll put a girdle round the earth in forty minutes': representing the supernatural in film adaptations of A Midsummer Night's Dream - Gayle Allan 12 Ophelia and her magical daughters: the afterlives of Ophelia in Japanese pop culture - Yukari Yoshihara Index
Introduction: Shakespeare and the supernatural - Victoria Bladen and Yan Brailowsky Part I: Embodying the supernatural 1 Shakespeare's political spectres - Victoria Bladen 2 'Rudely stamped': supernatural generation and the limits of power in Shakespeare's Richard III - Chelsea Phillips 3 Digital puppetry and the supernatural: double Ariel in the Royal Shakespeare Company's The Tempest (2017) - Anchuli Felicia King Part II: Haunted spaces 4 Demons and puns: Revisiting the 'cellarage scene' in Hamlet - Pierre Kapitaniak 5 Performing the Shakespearean supernatural in Avignon: a challenge to the Festival - Florence March Part III: Supernatural utterance and haunted texts 6 Prophecy and the supernatural: Shakespeare's challenges to performativity - Yan Brailowsky 7 Puck, Philostrate and the locus of A Midsummer Night's Dream's topical allegory - Laurie Johnson 8 'Strange intelligence': Transformations of witchcraft in Macbeth discourse - William C. Carroll Part IV: Magic, music and gender 9 Music and magic in The Tempest: Ariel's alchemical songs - Natalie Roulon 10 From Prospero to Prospera: transforming gender and magic on stage and screen - Katharine Goodland Part V: Contemporary transformations 11 'I'll put a girdle round the earth in forty minutes': representing the supernatural in film adaptations of A Midsummer Night's Dream - Gayle Allan 12 Ophelia and her magical daughters: the afterlives of Ophelia in Japanese pop culture - Yukari Yoshihara Index
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