Sarah Beckwith is Professor of English and Professor and Chair of Theater Studies at Duke University. She is the author of Christ¿s Body: Identity, Culture and Society in Late Medieval Writings and Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays and editor of Catholicism and Catholicity: Eucharistic Communities in Historical and Contemporary Perspectives.
Sarah Beckwith is Professor of English and Professor and Chair of Theater Studies at Duke University. She is the author of Christ¿s Body: Identity, Culture and Society in Late Medieval Writings and Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays and editor of Catholicism and Catholicity: Eucharistic Communities in Historical and Contemporary Perspectives.
Introduction: Promising, ForgivingPart One: Penance to Repentance 1. The Mind's Retreat from the Face 2. Rites of Forgiveness, Theater of ForgivenessPart Two: Promising 3. Repairs in the Dark: Measure for Measure and the End of ComedyPart Three: Forgiving 4. The Recovery of Voice in Pericles 5. Acknowledgment and Confession in Cymbeline 6. Shakespeare's Resurrections: The Winter's Tale 7. Making Good in The TempestNotes Bibliography Index
Introduction: Promising, ForgivingPart One: Penance to Repentance 1. The Mind's Retreat from the Face 2. Rites of Forgiveness, Theater of ForgivenessPart Two: Promising 3. Repairs in the Dark: Measure for Measure and the End of ComedyPart Three: Forgiving 4. The Recovery of Voice in Pericles 5. Acknowledgment and Confession in Cymbeline 6. Shakespeare's Resurrections: The Winter's Tale 7. Making Good in The TempestNotes Bibliography Index
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