Shakespeare and the Classics
Herausgeber: Martindale, Charles; Taylor, A. B.
Shakespeare and the Classics
Herausgeber: Martindale, Charles; Taylor, A. B.
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This book demonstrates that the classics are of central importance in Shakespeare's plays and in the structure of his imagination.
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This book demonstrates that the classics are of central importance in Shakespeare's plays and in the structure of his imagination.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 334
- Erscheinungstermin: 21. Oktober 2015
- Englisch
- Abmessung: 229mm x 152mm x 20mm
- Gewicht: 544g
- ISBN-13: 9780521175012
- ISBN-10: 0521175011
- Artikelnr.: 30533120
- Verlag: Cambridge University Press
- Seitenzahl: 334
- Erscheinungstermin: 21. Oktober 2015
- Englisch
- Abmessung: 229mm x 152mm x 20mm
- Gewicht: 544g
- ISBN-13: 9780521175012
- ISBN-10: 0521175011
- Artikelnr.: 30533120
Introduction; Part I. An Initial Perspective: 1. Shakespeare and humanistic
culture Colin Burrow; Part II. 'Small Latine': 2. 'Petruchio is 'Kated'':
The Taming of the Shrew and Ovid Vanda Zajko; 3. Ovid's myths and the
unsmooth course of love in A Midsummer Night's Dream A. B. Taylor; 4.
Shakespeare's learned heroines in Ovid's schoolroom Heather James; 5.
Shakespeare and Virgil Charles Martindale; 6. Shakespeare's reception of
Plautus reconsidered Wolfgang Riehle; 7. Shakespeare, Plautus, and the
discovery of new comic space Raphael Lyne; 8. 'Confusion now hath made his
masterpiece': Senecan resonances in Macbeth Yves Peyre; 9. 'These are the
only men': Seneca and monopoly in Hamlet 2.2 Erica Sheen; Part III. 'Lesse
Greeke': 10. 'Character' in Plutarch and Shakespeare: Brutus, Julius
Caesar, and Mark Antony John Roe; 11. Plutarch, Shakespeare, and the alpha
males Gordon Braden; 12. Action at a distance: Shakespeare and the Greeks
A. D. Nuttall; 13. Shakespeare and Greek romance: 'Like an old tale still'
Stuart Gillespie; 14. Shakespeare and Greek tragedy: strange relationship
Michael Silk; Part IV. The Reception of Shakespeare's Classicism: 15. 'The
English Homer': Shakespeare, Longinus, and English 'Neoclassicism' David
Hopkins; 16. 'There is no end but addition': the later reception of
Shakespeare's classicism Sarah Brown.
culture Colin Burrow; Part II. 'Small Latine': 2. 'Petruchio is 'Kated'':
The Taming of the Shrew and Ovid Vanda Zajko; 3. Ovid's myths and the
unsmooth course of love in A Midsummer Night's Dream A. B. Taylor; 4.
Shakespeare's learned heroines in Ovid's schoolroom Heather James; 5.
Shakespeare and Virgil Charles Martindale; 6. Shakespeare's reception of
Plautus reconsidered Wolfgang Riehle; 7. Shakespeare, Plautus, and the
discovery of new comic space Raphael Lyne; 8. 'Confusion now hath made his
masterpiece': Senecan resonances in Macbeth Yves Peyre; 9. 'These are the
only men': Seneca and monopoly in Hamlet 2.2 Erica Sheen; Part III. 'Lesse
Greeke': 10. 'Character' in Plutarch and Shakespeare: Brutus, Julius
Caesar, and Mark Antony John Roe; 11. Plutarch, Shakespeare, and the alpha
males Gordon Braden; 12. Action at a distance: Shakespeare and the Greeks
A. D. Nuttall; 13. Shakespeare and Greek romance: 'Like an old tale still'
Stuart Gillespie; 14. Shakespeare and Greek tragedy: strange relationship
Michael Silk; Part IV. The Reception of Shakespeare's Classicism: 15. 'The
English Homer': Shakespeare, Longinus, and English 'Neoclassicism' David
Hopkins; 16. 'There is no end but addition': the later reception of
Shakespeare's classicism Sarah Brown.
Introduction; Part I. An Initial Perspective: 1. Shakespeare and humanistic
culture Colin Burrow; Part II. 'Small Latine': 2. 'Petruchio is 'Kated'':
The Taming of the Shrew and Ovid Vanda Zajko; 3. Ovid's myths and the
unsmooth course of love in A Midsummer Night's Dream A. B. Taylor; 4.
Shakespeare's learned heroines in Ovid's schoolroom Heather James; 5.
Shakespeare and Virgil Charles Martindale; 6. Shakespeare's reception of
Plautus reconsidered Wolfgang Riehle; 7. Shakespeare, Plautus, and the
discovery of new comic space Raphael Lyne; 8. 'Confusion now hath made his
masterpiece': Senecan resonances in Macbeth Yves Peyre; 9. 'These are the
only men': Seneca and monopoly in Hamlet 2.2 Erica Sheen; Part III. 'Lesse
Greeke': 10. 'Character' in Plutarch and Shakespeare: Brutus, Julius
Caesar, and Mark Antony John Roe; 11. Plutarch, Shakespeare, and the alpha
males Gordon Braden; 12. Action at a distance: Shakespeare and the Greeks
A. D. Nuttall; 13. Shakespeare and Greek romance: 'Like an old tale still'
Stuart Gillespie; 14. Shakespeare and Greek tragedy: strange relationship
Michael Silk; Part IV. The Reception of Shakespeare's Classicism: 15. 'The
English Homer': Shakespeare, Longinus, and English 'Neoclassicism' David
Hopkins; 16. 'There is no end but addition': the later reception of
Shakespeare's classicism Sarah Brown.
culture Colin Burrow; Part II. 'Small Latine': 2. 'Petruchio is 'Kated'':
The Taming of the Shrew and Ovid Vanda Zajko; 3. Ovid's myths and the
unsmooth course of love in A Midsummer Night's Dream A. B. Taylor; 4.
Shakespeare's learned heroines in Ovid's schoolroom Heather James; 5.
Shakespeare and Virgil Charles Martindale; 6. Shakespeare's reception of
Plautus reconsidered Wolfgang Riehle; 7. Shakespeare, Plautus, and the
discovery of new comic space Raphael Lyne; 8. 'Confusion now hath made his
masterpiece': Senecan resonances in Macbeth Yves Peyre; 9. 'These are the
only men': Seneca and monopoly in Hamlet 2.2 Erica Sheen; Part III. 'Lesse
Greeke': 10. 'Character' in Plutarch and Shakespeare: Brutus, Julius
Caesar, and Mark Antony John Roe; 11. Plutarch, Shakespeare, and the alpha
males Gordon Braden; 12. Action at a distance: Shakespeare and the Greeks
A. D. Nuttall; 13. Shakespeare and Greek romance: 'Like an old tale still'
Stuart Gillespie; 14. Shakespeare and Greek tragedy: strange relationship
Michael Silk; Part IV. The Reception of Shakespeare's Classicism: 15. 'The
English Homer': Shakespeare, Longinus, and English 'Neoclassicism' David
Hopkins; 16. 'There is no end but addition': the later reception of
Shakespeare's classicism Sarah Brown.