Sensing Justice examines the aesthetic frames that mediate the sensory perception and signification of law and justice in the context of 21st century Spain.
Sensing Justice examines the aesthetic frames that mediate the sensory perception and signification of law and justice in the context of 21st century Spain.
Produktdetails
Produktdetails
Edinburgh Critical Studies in Law, Literature and the Humanities
Mónica López Lerma is Associate Professor of Spanish and Humanities at Reed College. She holds a PhD in Comparative Literature and a Graduate Certificate in Film Studies from the University of Michigan. She is the co-editor of Rancière and Law (Routledge, 2018). She was editor-in-chief of No-Foundations: An Interdisciplinary Journal of Law and Justice from 2012 to 2017.
Inhaltsangabe
Acknowledgements Introduction: Sensing Justice 1. Framing Aesthetics: Witnessing Francoism in Pan's Labyrinth An Aesthetic Approach to Human Rights Cinema Viewers as Witnesses Vidal: Franco's "Politics of Revenge" Mercedes: The "Heroic Memory" of the Resistance Ofelia: The Two Worlds and the Vigilant Imagination Conclusion: The Return 2. Campy Performances: Queering Law in High Heels Postmodern Re-Imaginings The Persecution of the LGBTQ people under Franco The Significance of the Performance for the Viewer Law as Mother: Ethics and Justice of Care Law as Performance: Ethics and Justice of Alterity Judging Law, Performing Justice Cinematic Judgment: Ethics of Response Truth and Justice Camp Aesthetics: Law as Queer Performance 3. Dissensus in the Community: Disrupting Neoliberal Affects in La Comunidad Spain and the Neoliberal "Politics of Consensus" The Regime of the All-Visible Julia and the Consumer Society The Community of Neighbors and the politics of Consensus Charlie's Dissensus Charlie and Julia: A New Community? 4. The Sound of Protest: Acousmatic Resistance in El Método The Grönholm Method: Beyond Panopticism The Split Screen: Framing the Space of the Visible The Acousmatic Sound of Protest 5. Surveilling Terror: Post-Western Topographies in No Rest for the Wicked Infinite Justice and the Ethical Turn The Media and the Securitization of Space Trinidad and the Politics of the Post-Western Judge Chacón and the Topography of the Possible 6. Policing the City: Haptic Visuality in Grupo 7. Mapping the City: The Production of Space The Right to the City The Construction of the Urban Space as Resistance Conclusion: Law and Space Conclusion Bibliography.
Acknowledgements Introduction: Sensing Justice 1. Framing Aesthetics: Witnessing Francoism in Pan's Labyrinth An Aesthetic Approach to Human Rights Cinema Viewers as Witnesses Vidal: Franco's "Politics of Revenge" Mercedes: The "Heroic Memory" of the Resistance Ofelia: The Two Worlds and the Vigilant Imagination Conclusion: The Return 2. Campy Performances: Queering Law in High Heels Postmodern Re-Imaginings The Persecution of the LGBTQ people under Franco The Significance of the Performance for the Viewer Law as Mother: Ethics and Justice of Care Law as Performance: Ethics and Justice of Alterity Judging Law, Performing Justice Cinematic Judgment: Ethics of Response Truth and Justice Camp Aesthetics: Law as Queer Performance 3. Dissensus in the Community: Disrupting Neoliberal Affects in La Comunidad Spain and the Neoliberal "Politics of Consensus" The Regime of the All-Visible Julia and the Consumer Society The Community of Neighbors and the politics of Consensus Charlie's Dissensus Charlie and Julia: A New Community? 4. The Sound of Protest: Acousmatic Resistance in El Método The Grönholm Method: Beyond Panopticism The Split Screen: Framing the Space of the Visible The Acousmatic Sound of Protest 5. Surveilling Terror: Post-Western Topographies in No Rest for the Wicked Infinite Justice and the Ethical Turn The Media and the Securitization of Space Trinidad and the Politics of the Post-Western Judge Chacón and the Topography of the Possible 6. Policing the City: Haptic Visuality in Grupo 7. Mapping the City: The Production of Space The Right to the City The Construction of the Urban Space as Resistance Conclusion: Law and Space Conclusion Bibliography.
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