Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
Introduction Commencements and Contexts On the Reception of Schubert's Self-Quotations Two Scores and Their Musical Relationships Parents and Children: On the Background to "Ave Maria" From "Ave Maria" to Trio "Dedicated to nobody, save those who find pleasure in it." Contexts and Conclusions
Introduction Commencements and Contexts On the Reception of Schubert's Self-Quotations Two Scores and Their Musical Relationships Parents and Children: On the Background to "Ave Maria" From "Ave Maria" to Trio "Dedicated to nobody, save those who find pleasure in it." Contexts and Conclusions
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