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Keith Waldrop is a quiet major poet, a major poet of quiet. His accomplishment is difficult to describe because his work refuses, in Bartelby-like fashion, the twin traps of impassivity and affectation: ¿On my one hand, / stasis -- on the / other, striving for effect.¿ In one of his very few interviews, Waldrop says: ¿I think the worst fault a poem can have is striving for effect.¿ Waldrop never strives; instead, he haunts¿his presence is all the more powerful for barely being there, like a ghost you discover in a familiar photograph.

Produktbeschreibung
Keith Waldrop is a quiet major poet, a major poet of quiet. His accomplishment is difficult to describe because his work refuses, in Bartelby-like fashion, the twin traps of impassivity and affectation: ¿On my one hand, / stasis -- on the / other, striving for effect.¿ In one of his very few interviews, Waldrop says: ¿I think the worst fault a poem can have is striving for effect.¿ Waldrop never strives; instead, he haunts¿his presence is all the more powerful for barely being there, like a ghost you discover in a familiar photograph.
Autorenporträt
KEITH WALDROP (born Emporia, Kansas, 1932) retired from Brown University in Providence, Rhode Island, where he still lives and, with Rosmarie Waldrop, is editor of the small press Burning Deck. His recent poetry books are The Not Forever (Omnidawn) and Transcendental Studies (University of California Press, National Book Award 2009). Siglio has published a book of collages, Several Gravities. His novel, Light While There Is Light, has been reissued by Dalkey Archive. He has translated Baudelaire's Flowers of Evil and Paris Spleen (Wesleyan University Press).