This book offers elementary and secondary music teachers new practical tools to create educational experiences that engage students in exploring an expansive relationship with music. With imaginative examples drawn from diverse musical genres, visual art, poetry, and historical cases, Seeking Connections provides thoughtful principles, models, and instructional strategies to deepen students' understandings of musical works and inspire interdisciplinary inquiry.
This book offers elementary and secondary music teachers new practical tools to create educational experiences that engage students in exploring an expansive relationship with music. With imaginative examples drawn from diverse musical genres, visual art, poetry, and historical cases, Seeking Connections provides thoughtful principles, models, and instructional strategies to deepen students' understandings of musical works and inspire interdisciplinary inquiry.
Janet Revell Barrett is Marilyn Pflederer Zimmerman Endowed Chair Emerita at the University of Illinois at Urbana-Champaign. She is the author of several books, including Constructing a Personal Orientation to Music Teaching: Growth, Inquiry, Agency, and she is the editor of the Bulletin of the Council for Research in Music Education.
Inhaltsangabe
Preface Orienting questions Chapter 1: Adopting an interdisciplinary perspective Chapter 2: Interdisciplinarity from the inside out Chapter 3: Multidimensionality as a springboard for connections: The Facets Model Chapter 4: The musics of our time Chapter 5: The foundations of an interdisciplinary pedagogy Chapter 6: Triptych play Chapter 7: Bridges of inspiration: Synergy between music and art Chapter 8: Connecting contexts: Music and history Chapter 9: Assessing the strength of connections Chapter 10: The music curriculum in an interdisciplinary landscape References
Preface Orienting questions Chapter 1: Adopting an interdisciplinary perspective Chapter 2: Interdisciplinarity from the inside out Chapter 3: Multidimensionality as a springboard for connections: The Facets Model Chapter 4: The musics of our time Chapter 5: The foundations of an interdisciplinary pedagogy Chapter 6: Triptych play Chapter 7: Bridges of inspiration: Synergy between music and art Chapter 8: Connecting contexts: Music and history Chapter 9: Assessing the strength of connections Chapter 10: The music curriculum in an interdisciplinary landscape References
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