These new translations of the Tiruppavai and Nacciyar Tirumoli composed by Kotai, the ninth-century South Indian mystic-poetess, capture the lyricism of the Tamil originals. Kotai's poems-two of the most significant compositions by a female mystic-express her encounters with the divine Vishnu through the use of a vibrant verbal sensuality.
These new translations of the Tiruppavai and Nacciyar Tirumoli composed by Kotai, the ninth-century South Indian mystic-poetess, capture the lyricism of the Tamil originals. Kotai's poems-two of the most significant compositions by a female mystic-express her encounters with the divine Vishnu through the use of a vibrant verbal sensuality.
Venkatesan is Assistant Professor of Religious Studies, St. Lawrence University
Inhaltsangabe
Acknowledgements Note on Transliteration Introduction Tiruppavai (Thirty Verses for the Drum of Mal) Commentary and Notes to the Tiruppavai Nacciyar Tirumoli (Fourteen Songs for the Love of Mal) Commentary and Notes to the Nacciyar Tirumoli Appendix 1: Taniyan verses to Tiruppavai and Nacciyar Tirumoli Appendix 2: Major Myths Appendix 3: Index of Myths and Names in Tiruppavai and Nacciyar Tirumoli Glossary of Terms Bibliography
Acknowledgements Note on Transliteration Introduction Tiruppavai (Thirty Verses for the Drum of Mal) Commentary and Notes to the Tiruppavai Nacciyar Tirumoli (Fourteen Songs for the Love of Mal) Commentary and Notes to the Nacciyar Tirumoli Appendix 1: Taniyan verses to Tiruppavai and Nacciyar Tirumoli Appendix 2: Major Myths Appendix 3: Index of Myths and Names in Tiruppavai and Nacciyar Tirumoli Glossary of Terms Bibliography
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