Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium.
Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium.
Noah Tsika is Associate Professor of Media Studies at Queens College, City University of New York He is a contributing editor of Africa is a Country and the author of several books.
Inhaltsangabe
* Introduction: "The Glorification of Policemen" * Chapter 1: Cinema's Municipalities: Industrial Expansion and the Locations of Policing * Chapter 2: Cinematic Badges: Conventions, Complications, and "Films for Cops" * Chapter 3: Veto Power: Film Censorship as Discretionary Policing * Chapter 4: Ballistics, Bertillonage, and Ballyhoo: Selling the Science of Crime Detection * Chapter 5: Filmgoers' Fingerprints: Supporting Carceral Expansion Through "Lobby Gags" * Chapter 6: From Kiddie Cops to the Coal Police: Private Proxies and the Production of Criminological Common Sense * Chapter 7: Coda: 2020 Vision
* Introduction: "The Glorification of Policemen" * Chapter 1: Cinema's Municipalities: Industrial Expansion and the Locations of Policing * Chapter 2: Cinematic Badges: Conventions, Complications, and "Films for Cops" * Chapter 3: Veto Power: Film Censorship as Discretionary Policing * Chapter 4: Ballistics, Bertillonage, and Ballyhoo: Selling the Science of Crime Detection * Chapter 5: Filmgoers' Fingerprints: Supporting Carceral Expansion Through "Lobby Gags" * Chapter 6: From Kiddie Cops to the Coal Police: Private Proxies and the Production of Criminological Common Sense * Chapter 7: Coda: 2020 Vision
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