Pascale Aebischer is Professor of Shakespeare and Early Modern Performance Studies at the University of Exeter.
Inhaltsangabe
Introduction: beyond Shakespeare: the contemporary Jacobean film; 1. Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II; 2. The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel; 3. Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers Tragedy; 4. Early modern performance and digital media: remediation and the evolving archival canon; 5. Bend it like Nagra: mainstreaming The Changeling in Sarah Harding's Compulsion; Conclusion: early modern dramatists on twenty-first-century screens; Appendix 1. Chronological list of surviving film adaptations; Appendix 2. Annotated filmography: early modern drama on screen, 1926-2012.
Introduction: beyond Shakespeare: the contemporary Jacobean film; 1. Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II; 2. The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel; 3. Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers Tragedy; 4. Early modern performance and digital media: remediation and the evolving archival canon; 5. Bend it like Nagra: mainstreaming The Changeling in Sarah Harding's Compulsion; Conclusion: early modern dramatists on twenty-first-century screens; Appendix 1. Chronological list of surviving film adaptations; Appendix 2. Annotated filmography: early modern drama on screen, 1926-2012.
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