'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time.
'Screen Writings: Genres, Classics, and Aesthetics' offers close readings of genre films and acknowledged film classics in an attempt to explore both the aesthetics of genre and the definition of 'classic' - as well as the changing perception of so-called classic movies over time.
Bert Cardullo is Professor and Chair of Media and Communication at the Izmir University of Economics in Turkey.
Inhaltsangabe
List of Illustrations Introduction: The Film of Value Part I. Film Genres, Film Classics, and Film Aesthetics Shooting the City: The Gangster, Manhattanites, and the Movies Back to the Future, or the Vanguard Meets the Rearguard Flags and Letters, Men and War Farce, Dreams, and Desire: Some Like It Hot Re-viewed Interlude Switching Genres, or Playing to the Camera, Playing to the House: Stage vs. Screen Acting On the Road Again: The Road Film and the Two Coppolas The Coming-of-Age Fim a la Fellini: The Case of I vitelloni Early vs. Later Bergman: Winter Light and Autumn Sonata Revisited "Everyone Has His Reasons": Words, Images, and La grande illusion in the Cinema of Jean Renoir A Passage to Tokyo: The Art of Ozu, Remembered Through the Looking Glass: The American Art Cinema in an Age of Social Change Bibliography Index
List of Illustrations Introduction: The Film of Value Part I. Film Genres, Film Classics, and Film Aesthetics Shooting the City: The Gangster, Manhattanites, and the Movies Back to the Future, or the Vanguard Meets the Rearguard Flags and Letters, Men and War Farce, Dreams, and Desire: Some Like It Hot Re-viewed Interlude Switching Genres, or Playing to the Camera, Playing to the House: Stage vs. Screen Acting On the Road Again: The Road Film and the Two Coppolas The Coming-of-Age Fim a la Fellini: The Case of I vitelloni Early vs. Later Bergman: Winter Light and Autumn Sonata Revisited "Everyone Has His Reasons": Words, Images, and La grande illusion in the Cinema of Jean Renoir A Passage to Tokyo: The Art of Ozu, Remembered Through the Looking Glass: The American Art Cinema in an Age of Social Change Bibliography Index
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