Engages the intersections of performance, production, politics, and reception to consider how Black sitcoms intervened in both the history of TV and in a rearticulation of Black identity in the early 1970s. With attention to race, socioeconomics, gender, and politics, these sitcoms had their own distinct style in depicting Black American life.
Engages the intersections of performance, production, politics, and reception to consider how Black sitcoms intervened in both the history of TV and in a rearticulation of Black identity in the early 1970s. With attention to race, socioeconomics, gender, and politics, these sitcoms had their own distinct style in depicting Black American life.
ADRIEN SEBRO is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.
Inhaltsangabe
Introduction: The Hustle 1 Approaching Tandem Productions 2 Sanford and Son 3 Good Times 4 The Jeffersons Conclusion: A Piece of the Pie Acknowledgments Notes Bibliography Index
Introduction: The Hustle 1 Approaching Tandem Productions 2 Sanford and Son 3 Good Times 4 The Jeffersons Conclusion: A Piece of the Pie Acknowledgments Notes Bibliography Index
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