Gregory Camp is a Senior Lecturer at the University of Auckland School of Music, New Zealand.
Inhaltsangabe
Introduction Chapter 1: Musicalising Montgomery Clift Chapter 2: Kazan, Brando, and Mélomania Chapter 3: Hitchcock's Time Vectors of Acting and Music Chapter 4: Day, Monroe, and Gendered Music Chapter 5: Dissonance and Consonance in James Dean's Films Chapter 6: Waters, Poitier, Music, and Race Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli Conclusion
Introduction
Chapter 1: Musicalising Montgomery Clift
Chapter 2: Kazan, Brando, and Mélomania
Chapter 3: Hitchcock's Time Vectors of Acting and Music
Chapter 4: Day, Monroe, and Gendered Music
Chapter 5: Dissonance and Consonance in James Dean's Films
Chapter 6: Waters, Poitier, Music, and Race
Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli
Introduction Chapter 1: Musicalising Montgomery Clift Chapter 2: Kazan, Brando, and Mélomania Chapter 3: Hitchcock's Time Vectors of Acting and Music Chapter 4: Day, Monroe, and Gendered Music Chapter 5: Dissonance and Consonance in James Dean's Films Chapter 6: Waters, Poitier, Music, and Race Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli Conclusion
Introduction
Chapter 1: Musicalising Montgomery Clift
Chapter 2: Kazan, Brando, and Mélomania
Chapter 3: Hitchcock's Time Vectors of Acting and Music
Chapter 4: Day, Monroe, and Gendered Music
Chapter 5: Dissonance and Consonance in James Dean's Films
Chapter 6: Waters, Poitier, Music, and Race
Chapter 7: Musical Characterisation in the Melodramas of Sirk and Minnelli
Conclusion
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