Science and Sound in Nineteenth-Century Britain
Sound in Context
Herausgeber: Gillin, Edward J
Science and Sound in Nineteenth-Century Britain
Sound in Context
Herausgeber: Gillin, Edward J
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Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. This collection will be of great interest to students and scholars of the History of Science.
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Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. This collection will be of great interest to students and scholars of the History of Science.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 584
- Erscheinungstermin: 22. Dezember 2023
- Englisch
- Abmessung: 234mm x 156mm x 33mm
- Gewicht: 1034g
- ISBN-13: 9781032500805
- ISBN-10: 1032500808
- Artikelnr.: 69943035
- Verlag: CRC Press
- Seitenzahl: 584
- Erscheinungstermin: 22. Dezember 2023
- Englisch
- Abmessung: 234mm x 156mm x 33mm
- Gewicht: 1034g
- ISBN-13: 9781032500805
- ISBN-10: 1032500808
- Artikelnr.: 69943035
Dr Edward J. Gillin is Lecturer in the History of Building Sciences and Technology at the Bartlett School of Sustainable Construction in University College London. A cultural historian of nineteenth-century Britain, he specialises in questions of science, technology, and architecture, and how these relate to broader histories of society, politics, and religion.
Volume Three Acknowledgements Chronology Introduction 1. John Goldingham
"Experiments for Ascertaining the Velocity of Sound
at Madras in the East Indies"
Philosophical Transactions of the Royal Society
1823
(London
England)
p. 183. 2. Gerard Moll
"On Captain Parry's and Lieutenant Foster's Experiments on the Velocity of Sound"
Philosophical Transactions of the Royal Society
1828 (London
England)
pp. 97-104. 3. John Ross
Narrative of a Second Voyage in Search of a North-West Passage
and of a Residence in the Arctic Regions
during the Years 1829
1830
1831
1832
1833
Vol. 1
(A.D. Wahlen: Brussels
1835)
pp. 197-198. 4. Piazzi Smyth
"On the Methods Adopted to Secure Extreme Accuracy in the Edinburgh Castle Time-Gun Signal"
Transactions of the Royal Scottish Society of Arts
Vol. VI
1864 (Edinburgh
Scotland)
pp. 136-152. 5. E. J. Stone
"An Experimental Determination of the Velocity of Sound"
Philosophical Transactions of the Royal Society
1871
(London
England)
pp. 1-6. 6. John Tyndall
"On the Atmosphere as a Vehicle of Sound"
Philosophical Transactions of the Royal Society
Vol. 164
1875
(London
England)
pp. 183-244. 7. Benjamin Wyatt
Observations on the Design for the Theatre Royal
Drury Lane
as Executed in the Year 1812: Accompanied by Plans
Elevation
& Sections
of the Same (J. Taylor: London
1813)
pp. 1-55. 8. John Blackburn
"Description of a Sounding Board in Attercliffe Church"
Philosophical Transactions of the Royal Society
1828
(London
England)
pp. 361-363. 9. John Scott Russell
"Elementary Considerations of Some Principles in the Construction of Buildings Designed to Accommodate Spectators and Auditors"
The Edinburgh New Philosophical Journal
Vol. 27 (Apr.-Oct.
1839)
pp. 131-136. 10. David Boswell Reid
Illustrations of the Theory and Practice of Ventilation
with Remarks on Warming
Exclusive Lighting
and the Communication of Sound (London: Longman
Brown
Green & Longmans
1844)
pp. 310-328. 11. Thomas Roger Smith
A Rudimentary Treatise on The Acoustics of Public Buildings; or
the Principles of the Science of Sound Applied to the Purposes of the Architect and Builder (London: John Weale
1861)
pp. 1-160. 12. (Anon.)
"An Imperial Pitchfork"
The Spectator
28 Aug.
1858
(London
England)
pp. 910-911. 13. (Anon.)
"English Committee on Musical Pitch"
The Spectator
18 Jun.
1859
(London
England)
p. 639-640. 14. John Herschel
"Uniform Musical Pitch"
Leeds Mercury
(Leeds
England) 2 Aug.
1859; Issue 6985. 15. Uniform Musical Pitch. Minutes of a Meeting of Musicians
Amateurs
and others Interested in Music
Held at the House of the Society of Arts
when the Report of the Committee Appointed by the Council of the Society was Received and Adopted
(Royal Society for the Encouragement of Arts
Manufactures
and Commerce: 1860)
published in "Uniform Musical Pitch"
The Journal of the Society of Arts
Vol. 8
No. 417
(16 Nov.
1860)
pp. 1-8. 16. Augustus De Morgan
"On the Beats of Imperfect Consonances"
Transactions of the Cambridge Philosophical Society
Vol. 10
(1864)
pp. 129-145. 17. Henry C. Lunn
"Musical Pitch"
The Musical Times
and Singing Class Circular
Vol. 13
No. 312
(1 Feb.
1869)
pp. 663-665. 18. (Anon.)
"Orchestral Tuning"
The Musical Standard
26th June
1875
(London
England)
pp. 409-410. 19. Alexander J. Ellis
The History of Musical Pitch (London: W. Tounce
1880)
pp. 8-54. 20. John Herschel
"On Musical Scales"
The Quarterly Journal of Science
No. XIX
July 1868
(London
England)
pp. 338-352. 21. William Pole
"Explanation of the Musical Scale and its Component Intervals"
in F. A. Gore Ouseley
A Treatise on Harmony
(Clarendon Press: Oxford
1868)
pp. 259-263. Bibliography Index
"Experiments for Ascertaining the Velocity of Sound
at Madras in the East Indies"
Philosophical Transactions of the Royal Society
1823
(London
England)
p. 183. 2. Gerard Moll
"On Captain Parry's and Lieutenant Foster's Experiments on the Velocity of Sound"
Philosophical Transactions of the Royal Society
1828 (London
England)
pp. 97-104. 3. John Ross
Narrative of a Second Voyage in Search of a North-West Passage
and of a Residence in the Arctic Regions
during the Years 1829
1830
1831
1832
1833
Vol. 1
(A.D. Wahlen: Brussels
1835)
pp. 197-198. 4. Piazzi Smyth
"On the Methods Adopted to Secure Extreme Accuracy in the Edinburgh Castle Time-Gun Signal"
Transactions of the Royal Scottish Society of Arts
Vol. VI
1864 (Edinburgh
Scotland)
pp. 136-152. 5. E. J. Stone
"An Experimental Determination of the Velocity of Sound"
Philosophical Transactions of the Royal Society
1871
(London
England)
pp. 1-6. 6. John Tyndall
"On the Atmosphere as a Vehicle of Sound"
Philosophical Transactions of the Royal Society
Vol. 164
1875
(London
England)
pp. 183-244. 7. Benjamin Wyatt
Observations on the Design for the Theatre Royal
Drury Lane
as Executed in the Year 1812: Accompanied by Plans
Elevation
& Sections
of the Same (J. Taylor: London
1813)
pp. 1-55. 8. John Blackburn
"Description of a Sounding Board in Attercliffe Church"
Philosophical Transactions of the Royal Society
1828
(London
England)
pp. 361-363. 9. John Scott Russell
"Elementary Considerations of Some Principles in the Construction of Buildings Designed to Accommodate Spectators and Auditors"
The Edinburgh New Philosophical Journal
Vol. 27 (Apr.-Oct.
1839)
pp. 131-136. 10. David Boswell Reid
Illustrations of the Theory and Practice of Ventilation
with Remarks on Warming
Exclusive Lighting
and the Communication of Sound (London: Longman
Brown
Green & Longmans
1844)
pp. 310-328. 11. Thomas Roger Smith
A Rudimentary Treatise on The Acoustics of Public Buildings; or
the Principles of the Science of Sound Applied to the Purposes of the Architect and Builder (London: John Weale
1861)
pp. 1-160. 12. (Anon.)
"An Imperial Pitchfork"
The Spectator
28 Aug.
1858
(London
England)
pp. 910-911. 13. (Anon.)
"English Committee on Musical Pitch"
The Spectator
18 Jun.
1859
(London
England)
p. 639-640. 14. John Herschel
"Uniform Musical Pitch"
Leeds Mercury
(Leeds
England) 2 Aug.
1859; Issue 6985. 15. Uniform Musical Pitch. Minutes of a Meeting of Musicians
Amateurs
and others Interested in Music
Held at the House of the Society of Arts
when the Report of the Committee Appointed by the Council of the Society was Received and Adopted
(Royal Society for the Encouragement of Arts
Manufactures
and Commerce: 1860)
published in "Uniform Musical Pitch"
The Journal of the Society of Arts
Vol. 8
No. 417
(16 Nov.
1860)
pp. 1-8. 16. Augustus De Morgan
"On the Beats of Imperfect Consonances"
Transactions of the Cambridge Philosophical Society
Vol. 10
(1864)
pp. 129-145. 17. Henry C. Lunn
"Musical Pitch"
The Musical Times
and Singing Class Circular
Vol. 13
No. 312
(1 Feb.
1869)
pp. 663-665. 18. (Anon.)
"Orchestral Tuning"
The Musical Standard
26th June
1875
(London
England)
pp. 409-410. 19. Alexander J. Ellis
The History of Musical Pitch (London: W. Tounce
1880)
pp. 8-54. 20. John Herschel
"On Musical Scales"
The Quarterly Journal of Science
No. XIX
July 1868
(London
England)
pp. 338-352. 21. William Pole
"Explanation of the Musical Scale and its Component Intervals"
in F. A. Gore Ouseley
A Treatise on Harmony
(Clarendon Press: Oxford
1868)
pp. 259-263. Bibliography Index
Volume Three Acknowledgements Chronology Introduction 1. John Goldingham
"Experiments for Ascertaining the Velocity of Sound
at Madras in the East Indies"
Philosophical Transactions of the Royal Society
1823
(London
England)
p. 183. 2. Gerard Moll
"On Captain Parry's and Lieutenant Foster's Experiments on the Velocity of Sound"
Philosophical Transactions of the Royal Society
1828 (London
England)
pp. 97-104. 3. John Ross
Narrative of a Second Voyage in Search of a North-West Passage
and of a Residence in the Arctic Regions
during the Years 1829
1830
1831
1832
1833
Vol. 1
(A.D. Wahlen: Brussels
1835)
pp. 197-198. 4. Piazzi Smyth
"On the Methods Adopted to Secure Extreme Accuracy in the Edinburgh Castle Time-Gun Signal"
Transactions of the Royal Scottish Society of Arts
Vol. VI
1864 (Edinburgh
Scotland)
pp. 136-152. 5. E. J. Stone
"An Experimental Determination of the Velocity of Sound"
Philosophical Transactions of the Royal Society
1871
(London
England)
pp. 1-6. 6. John Tyndall
"On the Atmosphere as a Vehicle of Sound"
Philosophical Transactions of the Royal Society
Vol. 164
1875
(London
England)
pp. 183-244. 7. Benjamin Wyatt
Observations on the Design for the Theatre Royal
Drury Lane
as Executed in the Year 1812: Accompanied by Plans
Elevation
& Sections
of the Same (J. Taylor: London
1813)
pp. 1-55. 8. John Blackburn
"Description of a Sounding Board in Attercliffe Church"
Philosophical Transactions of the Royal Society
1828
(London
England)
pp. 361-363. 9. John Scott Russell
"Elementary Considerations of Some Principles in the Construction of Buildings Designed to Accommodate Spectators and Auditors"
The Edinburgh New Philosophical Journal
Vol. 27 (Apr.-Oct.
1839)
pp. 131-136. 10. David Boswell Reid
Illustrations of the Theory and Practice of Ventilation
with Remarks on Warming
Exclusive Lighting
and the Communication of Sound (London: Longman
Brown
Green & Longmans
1844)
pp. 310-328. 11. Thomas Roger Smith
A Rudimentary Treatise on The Acoustics of Public Buildings; or
the Principles of the Science of Sound Applied to the Purposes of the Architect and Builder (London: John Weale
1861)
pp. 1-160. 12. (Anon.)
"An Imperial Pitchfork"
The Spectator
28 Aug.
1858
(London
England)
pp. 910-911. 13. (Anon.)
"English Committee on Musical Pitch"
The Spectator
18 Jun.
1859
(London
England)
p. 639-640. 14. John Herschel
"Uniform Musical Pitch"
Leeds Mercury
(Leeds
England) 2 Aug.
1859; Issue 6985. 15. Uniform Musical Pitch. Minutes of a Meeting of Musicians
Amateurs
and others Interested in Music
Held at the House of the Society of Arts
when the Report of the Committee Appointed by the Council of the Society was Received and Adopted
(Royal Society for the Encouragement of Arts
Manufactures
and Commerce: 1860)
published in "Uniform Musical Pitch"
The Journal of the Society of Arts
Vol. 8
No. 417
(16 Nov.
1860)
pp. 1-8. 16. Augustus De Morgan
"On the Beats of Imperfect Consonances"
Transactions of the Cambridge Philosophical Society
Vol. 10
(1864)
pp. 129-145. 17. Henry C. Lunn
"Musical Pitch"
The Musical Times
and Singing Class Circular
Vol. 13
No. 312
(1 Feb.
1869)
pp. 663-665. 18. (Anon.)
"Orchestral Tuning"
The Musical Standard
26th June
1875
(London
England)
pp. 409-410. 19. Alexander J. Ellis
The History of Musical Pitch (London: W. Tounce
1880)
pp. 8-54. 20. John Herschel
"On Musical Scales"
The Quarterly Journal of Science
No. XIX
July 1868
(London
England)
pp. 338-352. 21. William Pole
"Explanation of the Musical Scale and its Component Intervals"
in F. A. Gore Ouseley
A Treatise on Harmony
(Clarendon Press: Oxford
1868)
pp. 259-263. Bibliography Index
"Experiments for Ascertaining the Velocity of Sound
at Madras in the East Indies"
Philosophical Transactions of the Royal Society
1823
(London
England)
p. 183. 2. Gerard Moll
"On Captain Parry's and Lieutenant Foster's Experiments on the Velocity of Sound"
Philosophical Transactions of the Royal Society
1828 (London
England)
pp. 97-104. 3. John Ross
Narrative of a Second Voyage in Search of a North-West Passage
and of a Residence in the Arctic Regions
during the Years 1829
1830
1831
1832
1833
Vol. 1
(A.D. Wahlen: Brussels
1835)
pp. 197-198. 4. Piazzi Smyth
"On the Methods Adopted to Secure Extreme Accuracy in the Edinburgh Castle Time-Gun Signal"
Transactions of the Royal Scottish Society of Arts
Vol. VI
1864 (Edinburgh
Scotland)
pp. 136-152. 5. E. J. Stone
"An Experimental Determination of the Velocity of Sound"
Philosophical Transactions of the Royal Society
1871
(London
England)
pp. 1-6. 6. John Tyndall
"On the Atmosphere as a Vehicle of Sound"
Philosophical Transactions of the Royal Society
Vol. 164
1875
(London
England)
pp. 183-244. 7. Benjamin Wyatt
Observations on the Design for the Theatre Royal
Drury Lane
as Executed in the Year 1812: Accompanied by Plans
Elevation
& Sections
of the Same (J. Taylor: London
1813)
pp. 1-55. 8. John Blackburn
"Description of a Sounding Board in Attercliffe Church"
Philosophical Transactions of the Royal Society
1828
(London
England)
pp. 361-363. 9. John Scott Russell
"Elementary Considerations of Some Principles in the Construction of Buildings Designed to Accommodate Spectators and Auditors"
The Edinburgh New Philosophical Journal
Vol. 27 (Apr.-Oct.
1839)
pp. 131-136. 10. David Boswell Reid
Illustrations of the Theory and Practice of Ventilation
with Remarks on Warming
Exclusive Lighting
and the Communication of Sound (London: Longman
Brown
Green & Longmans
1844)
pp. 310-328. 11. Thomas Roger Smith
A Rudimentary Treatise on The Acoustics of Public Buildings; or
the Principles of the Science of Sound Applied to the Purposes of the Architect and Builder (London: John Weale
1861)
pp. 1-160. 12. (Anon.)
"An Imperial Pitchfork"
The Spectator
28 Aug.
1858
(London
England)
pp. 910-911. 13. (Anon.)
"English Committee on Musical Pitch"
The Spectator
18 Jun.
1859
(London
England)
p. 639-640. 14. John Herschel
"Uniform Musical Pitch"
Leeds Mercury
(Leeds
England) 2 Aug.
1859; Issue 6985. 15. Uniform Musical Pitch. Minutes of a Meeting of Musicians
Amateurs
and others Interested in Music
Held at the House of the Society of Arts
when the Report of the Committee Appointed by the Council of the Society was Received and Adopted
(Royal Society for the Encouragement of Arts
Manufactures
and Commerce: 1860)
published in "Uniform Musical Pitch"
The Journal of the Society of Arts
Vol. 8
No. 417
(16 Nov.
1860)
pp. 1-8. 16. Augustus De Morgan
"On the Beats of Imperfect Consonances"
Transactions of the Cambridge Philosophical Society
Vol. 10
(1864)
pp. 129-145. 17. Henry C. Lunn
"Musical Pitch"
The Musical Times
and Singing Class Circular
Vol. 13
No. 312
(1 Feb.
1869)
pp. 663-665. 18. (Anon.)
"Orchestral Tuning"
The Musical Standard
26th June
1875
(London
England)
pp. 409-410. 19. Alexander J. Ellis
The History of Musical Pitch (London: W. Tounce
1880)
pp. 8-54. 20. John Herschel
"On Musical Scales"
The Quarterly Journal of Science
No. XIX
July 1868
(London
England)
pp. 338-352. 21. William Pole
"Explanation of the Musical Scale and its Component Intervals"
in F. A. Gore Ouseley
A Treatise on Harmony
(Clarendon Press: Oxford
1868)
pp. 259-263. Bibliography Index