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This research analyzes the application process and the results of a methodological proposal of theater based on the following question: how can the theater be used as a tool for dialogue to combat violence, whether it is gender, racial, social or many others that are still part of everyday life? From a methodological approach of research and assembly, I promote an in-depth study on diversity focused on gender issues and the Brazilian educational scenario. For this purpose, a dramaturgical proposal was built from fragments of the themes in a collaborative process with students: the play…mehr

Produktbeschreibung
This research analyzes the application process and the results of a methodological proposal of theater based on the following question: how can the theater be used as a tool for dialogue to combat violence, whether it is gender, racial, social or many others that are still part of everyday life? From a methodological approach of research and assembly, I promote an in-depth study on diversity focused on gender issues and the Brazilian educational scenario. For this purpose, a dramaturgical proposal was built from fragments of the themes in a collaborative process with students: the play Transcorpos. During the research, it became clear the need to form a theatrical collective, focused on research, dialogue, creation and staging of the play. Augusto Boal's Theater of the Oppressed was used as a means of action and reflection on the themes addressed and, especially, on the relationship between oppressor and oppressed.
Autorenporträt
Melissa Naves es profesora de la Secretaría de Educación del Distrito Federal, máster en Educación por la Universidad de Brasilia, directora del grupo Artocracia Cênica, actriz e investigadora del grupo de Etnocenología Afeto (UnB).