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This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre…mehr

Produktbeschreibung
This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre conventions to make them more adaptable to the traumatic legacies addressed by directors. The editors argue that the healing processes associated with such legacies can helpfully be studied through the idiom of 'scar-formation' rather than event-centred 'wound-creation'.
Autorenporträt
Nick Hodgin is Lecturer in German at the University of Sheffield, UK. He has published widely on German cinema including Screening the East: Heimat, Memory and Nostalgia in German Cinema (2011) and the co-edited volume, The GDR Remembered(2011), as well as on international film, documentary film, and cultural studies. Amit Thakkar is Senior Lecturer in Hispanic Studies at Lancaster University, UK. He has co-edited special issues of journals on masculinities and violence in Latin America, one of which was selected for Routledge's Special Issues as Books series. He has also published articles on crash cinemas in Latin American film.