Sarah Waters
Contemporary Critical Perspectives
Herausgeber: Mitchell, Kaye
Sarah Waters
Contemporary Critical Perspectives
Herausgeber: Mitchell, Kaye
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Leading scholars explore the work of Sarah Waters from a full range of critical perspectives. Includes a new interview with the author.
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Leading scholars explore the work of Sarah Waters from a full range of critical perspectives. Includes a new interview with the author.
Produktdetails
- Produktdetails
- Contemporary Critical Perspectives
- Verlag: Bloomsbury Publishing Plc
- Seitenzahl: 184
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 233mm x 156mm x 20mm
- Gewicht: 304g
- ISBN-13: 9781441199416
- ISBN-10: 1441199411
- Artikelnr.: 37632416
- Contemporary Critical Perspectives
- Verlag: Bloomsbury Publishing Plc
- Seitenzahl: 184
- Erscheinungstermin: 18. Juli 2013
- Englisch
- Abmessung: 233mm x 156mm x 20mm
- Gewicht: 304g
- ISBN-13: 9781441199416
- ISBN-10: 1441199411
- Artikelnr.: 37632416
Kaye Mitchell is Lecturer in Contemporary Literature in the Centre for New Writing at the University of Manchester, UK. She is the author of A. L Kennedy (Palgrave 2007) and Intention and Text (Continuum, 2008).
Foreword: Adapting Sarah Waters
Andrew Davies Series Editors' Preface Acknowledgements Contributors Chronology of Sarah Waters' Life Introduction: The Popular and Critical Reception of Sarah Waters
Kaye Mitchell (University of Manchester
UK) Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and Virginia Woolf's Night and Day
Susan Alice Fischer (CUNY
USA) Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters' Affinity
Rebecca Pohl (University of Manchester
UK) Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith's Deceptive Doubles
Sarah Gamble (Swansea University
UK) Chapter 4: 'Something new and a bit startling': Sarah Waters and the Historical Novel
Jerome de Groot (University of Manchester
UK) Chapter 5: 'Possibility
pleasure and peril': The Night Watch as a Very Literary History
Natasha Alden (Aberystwyth University
UK) Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night Watch
Kaye Mitchell (University of Manchester
UK) Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger
Emma Parker (Leicester University
UK) Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in The Little Stranger
Monica Germanà (University of Westminster
UK) Interview: "I'd love to write an anti-Downton!": An Interview with Sarah Waters
Kaye Mitchell (University of Manchester
UK) References Further Reading Index
Andrew Davies Series Editors' Preface Acknowledgements Contributors Chronology of Sarah Waters' Life Introduction: The Popular and Critical Reception of Sarah Waters
Kaye Mitchell (University of Manchester
UK) Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and Virginia Woolf's Night and Day
Susan Alice Fischer (CUNY
USA) Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters' Affinity
Rebecca Pohl (University of Manchester
UK) Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith's Deceptive Doubles
Sarah Gamble (Swansea University
UK) Chapter 4: 'Something new and a bit startling': Sarah Waters and the Historical Novel
Jerome de Groot (University of Manchester
UK) Chapter 5: 'Possibility
pleasure and peril': The Night Watch as a Very Literary History
Natasha Alden (Aberystwyth University
UK) Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night Watch
Kaye Mitchell (University of Manchester
UK) Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger
Emma Parker (Leicester University
UK) Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in The Little Stranger
Monica Germanà (University of Westminster
UK) Interview: "I'd love to write an anti-Downton!": An Interview with Sarah Waters
Kaye Mitchell (University of Manchester
UK) References Further Reading Index
Foreword: Adapting Sarah Waters
Andrew Davies Series Editors' Preface Acknowledgements Contributors Chronology of Sarah Waters' Life Introduction: The Popular and Critical Reception of Sarah Waters
Kaye Mitchell (University of Manchester
UK) Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and Virginia Woolf's Night and Day
Susan Alice Fischer (CUNY
USA) Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters' Affinity
Rebecca Pohl (University of Manchester
UK) Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith's Deceptive Doubles
Sarah Gamble (Swansea University
UK) Chapter 4: 'Something new and a bit startling': Sarah Waters and the Historical Novel
Jerome de Groot (University of Manchester
UK) Chapter 5: 'Possibility
pleasure and peril': The Night Watch as a Very Literary History
Natasha Alden (Aberystwyth University
UK) Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night Watch
Kaye Mitchell (University of Manchester
UK) Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger
Emma Parker (Leicester University
UK) Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in The Little Stranger
Monica Germanà (University of Westminster
UK) Interview: "I'd love to write an anti-Downton!": An Interview with Sarah Waters
Kaye Mitchell (University of Manchester
UK) References Further Reading Index
Andrew Davies Series Editors' Preface Acknowledgements Contributors Chronology of Sarah Waters' Life Introduction: The Popular and Critical Reception of Sarah Waters
Kaye Mitchell (University of Manchester
UK) Chapter 1: 'Taking back the night'? Feminism in Sarah Waters' Affinity and Virginia Woolf's Night and Day
Susan Alice Fischer (CUNY
USA) Chapter 2: Sexing the Labyrinth: Space and Sexuality in Sarah Waters' Affinity
Rebecca Pohl (University of Manchester
UK) Chapter 3: 'You know everything. I know nothing': (Re)Reading Fingersmith's Deceptive Doubles
Sarah Gamble (Swansea University
UK) Chapter 4: 'Something new and a bit startling': Sarah Waters and the Historical Novel
Jerome de Groot (University of Manchester
UK) Chapter 5: 'Possibility
pleasure and peril': The Night Watch as a Very Literary History
Natasha Alden (Aberystwyth University
UK) Chapter 6: 'What does it feel like to be an anachronism?' Time in The Night Watch
Kaye Mitchell (University of Manchester
UK) Chapter 7: The Country House Revisited: Sarah Waters' The Little Stranger
Emma Parker (Leicester University
UK) Chapter 8: The Death of the Lady: Haunted Garments and (Re)Possession in The Little Stranger
Monica Germanà (University of Westminster
UK) Interview: "I'd love to write an anti-Downton!": An Interview with Sarah Waters
Kaye Mitchell (University of Manchester
UK) References Further Reading Index