Sarah Kane in context
Essays
Herausgeber: Saunders, Graham; Vos, Lauren de
Sarah Kane in context
Essays
Herausgeber: Saunders, Graham; Vos, Lauren de
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First collection of essays, by some of the leading scholars in their field on one of the most controversial and influential dramatists who emerged during the â In-Yer Faceâ generation of British dramatists in the 1990s. Essential, wide-ranging, European guide to Kane for students and scholars of Theatre Studies or English Literature. -- .
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First collection of essays, by some of the leading scholars in their field on one of the most controversial and influential dramatists who emerged during the â In-Yer Faceâ generation of British dramatists in the 1990s. Essential, wide-ranging, European guide to Kane for students and scholars of Theatre Studies or English Literature. -- .
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 256
- Erscheinungstermin: 1. September 2011
- Englisch
- Abmessung: 216mm x 140mm x 15mm
- Gewicht: 326g
- ISBN-13: 9780719086458
- ISBN-10: 0719086450
- Artikelnr.: 33615488
- Verlag: Manchester University Press
- Seitenzahl: 256
- Erscheinungstermin: 1. September 2011
- Englisch
- Abmessung: 216mm x 140mm x 15mm
- Gewicht: 326g
- ISBN-13: 9780719086458
- ISBN-10: 0719086450
- Artikelnr.: 33615488
Lauren de Vos is a Lecturer in Comparative Literature at Ghent University. Graham Saunders is a Lecturer in Theatre Studies at the University of Reading.
Contents Introduction (Laurens De Vos and Graham Saunders) Part I:
Surrounding Voices 1. Reviewing the fabric of Blasted (Elaine Aston) 2.
Sarah Kane before Blasted: the monologues (Dan Rebellato) 3. 'Looks like
there's a war on': Sarah Kane's Blasted, political theatre and the Muslim
Other (Aleks Sierz) 4. Staging Power: the politics of sex and death in
Seneca's Phaedra and Kane's Phaedra's Love (Zina Giannopoulou) 5. The
Beckettian world of Sarah Kane (Graham Saunders) 6. Cruelty, violence and
rituals in Sarah Kane's plays (Stefani Brusberg-Kiermeier) 7. Sarah Kane,
experiential theatre and the revenant avant-garde (Clare Wallace) Part II:
Subjectivity, Responsibility and Representation 8. The voice of Kane (Ehren
Fordyce) 9. 'I love you now': time and desire in the plays of Sarah Kane
(Robert I. Lublin) 10. Sarah Kane and Antonin Artaud: cruelty towards the
subjectile (Laurens De Vos) 11. Posthumanist identities in Sarah Kane
(Julie Waddington) 12. Neither here nor there: theatrical space in Kane's
work (Annette Pankratz) 13.'Victim. Perpetrator. Bystander': critical
distance in Sarah Kane's Theatre of Cruelty (Hillary Chute) 14. Sarah
Kane's Phaedra's Love: staging the implacable (Peter A. Campbell) 15. Under
the surface of things. Sarah Kane's Skin and the medium of theatre (Mateusz
Borowski) 16. 'We are anathema' - Sarah Kane's plays as postdramatic
theatre v. the 'Dreary and repugnant tale of sense' (Eckart Voigts-Virchow)
Epilogue 'The mark of Kane' (Edward Bond) References List of Contributors
Index
Surrounding Voices 1. Reviewing the fabric of Blasted (Elaine Aston) 2.
Sarah Kane before Blasted: the monologues (Dan Rebellato) 3. 'Looks like
there's a war on': Sarah Kane's Blasted, political theatre and the Muslim
Other (Aleks Sierz) 4. Staging Power: the politics of sex and death in
Seneca's Phaedra and Kane's Phaedra's Love (Zina Giannopoulou) 5. The
Beckettian world of Sarah Kane (Graham Saunders) 6. Cruelty, violence and
rituals in Sarah Kane's plays (Stefani Brusberg-Kiermeier) 7. Sarah Kane,
experiential theatre and the revenant avant-garde (Clare Wallace) Part II:
Subjectivity, Responsibility and Representation 8. The voice of Kane (Ehren
Fordyce) 9. 'I love you now': time and desire in the plays of Sarah Kane
(Robert I. Lublin) 10. Sarah Kane and Antonin Artaud: cruelty towards the
subjectile (Laurens De Vos) 11. Posthumanist identities in Sarah Kane
(Julie Waddington) 12. Neither here nor there: theatrical space in Kane's
work (Annette Pankratz) 13.'Victim. Perpetrator. Bystander': critical
distance in Sarah Kane's Theatre of Cruelty (Hillary Chute) 14. Sarah
Kane's Phaedra's Love: staging the implacable (Peter A. Campbell) 15. Under
the surface of things. Sarah Kane's Skin and the medium of theatre (Mateusz
Borowski) 16. 'We are anathema' - Sarah Kane's plays as postdramatic
theatre v. the 'Dreary and repugnant tale of sense' (Eckart Voigts-Virchow)
Epilogue 'The mark of Kane' (Edward Bond) References List of Contributors
Index
Contents Introduction (Laurens De Vos and Graham Saunders) Part I:
Surrounding Voices 1. Reviewing the fabric of Blasted (Elaine Aston) 2.
Sarah Kane before Blasted: the monologues (Dan Rebellato) 3. 'Looks like
there's a war on': Sarah Kane's Blasted, political theatre and the Muslim
Other (Aleks Sierz) 4. Staging Power: the politics of sex and death in
Seneca's Phaedra and Kane's Phaedra's Love (Zina Giannopoulou) 5. The
Beckettian world of Sarah Kane (Graham Saunders) 6. Cruelty, violence and
rituals in Sarah Kane's plays (Stefani Brusberg-Kiermeier) 7. Sarah Kane,
experiential theatre and the revenant avant-garde (Clare Wallace) Part II:
Subjectivity, Responsibility and Representation 8. The voice of Kane (Ehren
Fordyce) 9. 'I love you now': time and desire in the plays of Sarah Kane
(Robert I. Lublin) 10. Sarah Kane and Antonin Artaud: cruelty towards the
subjectile (Laurens De Vos) 11. Posthumanist identities in Sarah Kane
(Julie Waddington) 12. Neither here nor there: theatrical space in Kane's
work (Annette Pankratz) 13.'Victim. Perpetrator. Bystander': critical
distance in Sarah Kane's Theatre of Cruelty (Hillary Chute) 14. Sarah
Kane's Phaedra's Love: staging the implacable (Peter A. Campbell) 15. Under
the surface of things. Sarah Kane's Skin and the medium of theatre (Mateusz
Borowski) 16. 'We are anathema' - Sarah Kane's plays as postdramatic
theatre v. the 'Dreary and repugnant tale of sense' (Eckart Voigts-Virchow)
Epilogue 'The mark of Kane' (Edward Bond) References List of Contributors
Index
Surrounding Voices 1. Reviewing the fabric of Blasted (Elaine Aston) 2.
Sarah Kane before Blasted: the monologues (Dan Rebellato) 3. 'Looks like
there's a war on': Sarah Kane's Blasted, political theatre and the Muslim
Other (Aleks Sierz) 4. Staging Power: the politics of sex and death in
Seneca's Phaedra and Kane's Phaedra's Love (Zina Giannopoulou) 5. The
Beckettian world of Sarah Kane (Graham Saunders) 6. Cruelty, violence and
rituals in Sarah Kane's plays (Stefani Brusberg-Kiermeier) 7. Sarah Kane,
experiential theatre and the revenant avant-garde (Clare Wallace) Part II:
Subjectivity, Responsibility and Representation 8. The voice of Kane (Ehren
Fordyce) 9. 'I love you now': time and desire in the plays of Sarah Kane
(Robert I. Lublin) 10. Sarah Kane and Antonin Artaud: cruelty towards the
subjectile (Laurens De Vos) 11. Posthumanist identities in Sarah Kane
(Julie Waddington) 12. Neither here nor there: theatrical space in Kane's
work (Annette Pankratz) 13.'Victim. Perpetrator. Bystander': critical
distance in Sarah Kane's Theatre of Cruelty (Hillary Chute) 14. Sarah
Kane's Phaedra's Love: staging the implacable (Peter A. Campbell) 15. Under
the surface of things. Sarah Kane's Skin and the medium of theatre (Mateusz
Borowski) 16. 'We are anathema' - Sarah Kane's plays as postdramatic
theatre v. the 'Dreary and repugnant tale of sense' (Eckart Voigts-Virchow)
Epilogue 'The mark of Kane' (Edward Bond) References List of Contributors
Index