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The specific idea that is tested in this book is that there is continual interaction between the sanctuary cult and personal religious experience in the Book of Psalms. The main theoretical argument is that the sanctuary cult had a formative role in creating the piety of the psalmists. The study attempts to explore the specific nature of that relationship and to benefit from the contributions of three major approaches to the Psalms, that is, the form critical approach (Hermann Gunkel), the cultic approach (Sigmund Mowinckel) and the Psalter-shaping approach (Gerald H. Wilson, James L. Mays,…mehr

Produktbeschreibung
The specific idea that is tested in this book is that there is continual interaction between the sanctuary cult and personal religious experience in the Book of Psalms. The main theoretical argument is that the sanctuary cult had a formative role in creating the piety of the psalmists. The study attempts to explore the specific nature of that relationship and to benefit from the contributions of three major approaches to the Psalms, that is, the form critical approach (Hermann Gunkel), the cultic approach (Sigmund Mowinckel) and the Psalter-shaping approach (Gerald H. Wilson, James L. Mays, Jerome F. D. Creach, Mark D. Futato, J. Clinton McCann and Walter Brueggemann). The study suggests that the ongoing interaction between the sanctuary cult and personal piety in the Psalms is the result of the creative power of cult. It offers evidence of the possible shaping of the Psalter around the sanctuary motif. It also offers a unique perspective on the piety of the psalmists, suggestingthat the psalmists, and particularly the editor(s) of the present shape of the Psalter, promoted the eschatological hope of Israel in the new temple and the heavenly aspect of Israel's sanctuary.
Autorenporträt
Dragoslava Santrac, PhD, is an associate professor of the Old Testament and biblical languages at the University of the Southern Caribbean, Trinidad, WI