Russian Literature, Modernism and the Visual Arts
Herausgeber: Kelly, Catriona; Lovell, Stephen
Russian Literature, Modernism and the Visual Arts
Herausgeber: Kelly, Catriona; Lovell, Stephen
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An account of the interplay between literary and visual culture in the Russian modernist era.
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An account of the interplay between literary and visual culture in the Russian modernist era.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 336
- Erscheinungstermin: 30. Juni 2008
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 512g
- ISBN-13: 9780521087902
- ISBN-10: 0521087902
- Artikelnr.: 24926759
- Verlag: Cambridge University Press
- Seitenzahl: 336
- Erscheinungstermin: 30. Juni 2008
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 512g
- ISBN-13: 9780521087902
- ISBN-10: 0521087902
- Artikelnr.: 24926759
Introduction: boundaries of the spectacular Catriona Kelly and Stephen
Lovell; Part I. The Arts Reflected in Literature: 1. Defining the face:
observations on Dostoevskii's creative processes Konstantin Barsht; 2.
Painting and autobiography: Anna Prismatova's Pesok and Anna Akhmatova's
Epicheskie motivy; 3. Picture windows: the art of Andrei Siniavskii Jane
Grayson; 4. Mikhail Zoshchenko's shadow operas Alexander Zholkovsky; Part
II. Adaptations, Collaborations, Disputes and Rapprochements: Russian
Literature, Visual Arts, and Performance: 5. 'Theatricality' as a concept
in the Russian modernist movement; 6. Design on drama: Chekhov and Simov
Cynthia Marsh; Khlebnikov eye Robin Milner-Gulland; 8. Cinematic literature
and literary cinema: Olesha, Room and the search for a new art form Milena
Michalski; 9. Meaningful voids: facelessness in Platov and Malevich Andrew
Wachtel; 10. Painted mirrors: landscape and self-representation in women's
verbal and visual art Pamela Chester; Bibliography.
Lovell; Part I. The Arts Reflected in Literature: 1. Defining the face:
observations on Dostoevskii's creative processes Konstantin Barsht; 2.
Painting and autobiography: Anna Prismatova's Pesok and Anna Akhmatova's
Epicheskie motivy; 3. Picture windows: the art of Andrei Siniavskii Jane
Grayson; 4. Mikhail Zoshchenko's shadow operas Alexander Zholkovsky; Part
II. Adaptations, Collaborations, Disputes and Rapprochements: Russian
Literature, Visual Arts, and Performance: 5. 'Theatricality' as a concept
in the Russian modernist movement; 6. Design on drama: Chekhov and Simov
Cynthia Marsh; Khlebnikov eye Robin Milner-Gulland; 8. Cinematic literature
and literary cinema: Olesha, Room and the search for a new art form Milena
Michalski; 9. Meaningful voids: facelessness in Platov and Malevich Andrew
Wachtel; 10. Painted mirrors: landscape and self-representation in women's
verbal and visual art Pamela Chester; Bibliography.
Introduction: boundaries of the spectacular Catriona Kelly and Stephen
Lovell; Part I. The Arts Reflected in Literature: 1. Defining the face:
observations on Dostoevskii's creative processes Konstantin Barsht; 2.
Painting and autobiography: Anna Prismatova's Pesok and Anna Akhmatova's
Epicheskie motivy; 3. Picture windows: the art of Andrei Siniavskii Jane
Grayson; 4. Mikhail Zoshchenko's shadow operas Alexander Zholkovsky; Part
II. Adaptations, Collaborations, Disputes and Rapprochements: Russian
Literature, Visual Arts, and Performance: 5. 'Theatricality' as a concept
in the Russian modernist movement; 6. Design on drama: Chekhov and Simov
Cynthia Marsh; Khlebnikov eye Robin Milner-Gulland; 8. Cinematic literature
and literary cinema: Olesha, Room and the search for a new art form Milena
Michalski; 9. Meaningful voids: facelessness in Platov and Malevich Andrew
Wachtel; 10. Painted mirrors: landscape and self-representation in women's
verbal and visual art Pamela Chester; Bibliography.
Lovell; Part I. The Arts Reflected in Literature: 1. Defining the face:
observations on Dostoevskii's creative processes Konstantin Barsht; 2.
Painting and autobiography: Anna Prismatova's Pesok and Anna Akhmatova's
Epicheskie motivy; 3. Picture windows: the art of Andrei Siniavskii Jane
Grayson; 4. Mikhail Zoshchenko's shadow operas Alexander Zholkovsky; Part
II. Adaptations, Collaborations, Disputes and Rapprochements: Russian
Literature, Visual Arts, and Performance: 5. 'Theatricality' as a concept
in the Russian modernist movement; 6. Design on drama: Chekhov and Simov
Cynthia Marsh; Khlebnikov eye Robin Milner-Gulland; 8. Cinematic literature
and literary cinema: Olesha, Room and the search for a new art form Milena
Michalski; 9. Meaningful voids: facelessness in Platov and Malevich Andrew
Wachtel; 10. Painted mirrors: landscape and self-representation in women's
verbal and visual art Pamela Chester; Bibliography.