Russian Critics on the Cinema of Glasnost

Herausgeber: Brashinsky, Michael; Rothman, William; Horton, Andrew

• Gebundenes Buch

Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 176
• Erscheinungstermin: 14. Oktober 2005
• Englisch
• Abmessung: 235mm x 157mm x 14mm
• Gewicht: 417g
• ISBN-13: 9780521444750
• ISBN-10: 0521444756
• Artikelnr.: 20992451

Inhaltsangabe

Part I: Films in a Shifting Landscape: 1. Cinema without cinema Mikhail Yampolsky
2. Cinema for every day Yuri Bogomolov
3. The last romantics Alexander Timofeevsky
4. Jobless prophets Lev Karakhan
5. Midseasonal anarchists Marina Drozdova
6. The most avant garde of all parallel ones Sergei Dobrotvorsky
Part II. Glasnost's Top Ten: 7. Repentence: on the road that leads to the truth Tatyana Khloplyankina
8. Between the circus and the zoo Igor Aleinikov
9. Is it easy to be young
is it easy to be grown up? Lev Anninsky
10. Deafening voids Alexander Kiselev
11. A forgotten tune for the flute, Scherzo - suite - nocturne Alexander Timofeevsky
12. The cold summer of '53 Mikhail Trofimenkov
13. Birds of passage Mikhail Trofimenkov
14. Assa
The tenderest shroud Alexander Timofeevsky
15. Commissar Maya Turovskaya
16. Little Vera: forward, singing Tatyana Moskvina
17. Days of eclipse: out of bounds Victor Bozhovich
18. The days of eclipse Maya Turovskaya
19. The world as a mirror for the other world Mikhail Yampolsky
20. A billion years before the end of cinema Tatyana Moskvina
21. The needle: a dandy of the postpunk era Marine Drozdova
22. Taxi blues: forgiveness Pyotr Shepotinnik
23. Taxi fares, blues fans and film viewers Sergei Lavrentiev
Conclusion
Notes on the Contributors
Directors' Bio-filmography
Filmography
Index.