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During the 1950s and 1960s, the use of local building styles and traditional materials seemed to be on the wane. But shortly after that the historic architecture of the American Southwest rapidly began to win a new popularity. The turnaround was partly a product of the back-to-earth movement, the energy crises of the 1970s, and a reawakening of interest in regional history. But it received a boost, too, from advances in the use of solar energy--many of the new developments being especially adaptable to adobe structures. Individuals planning their dream house led the way, but many home builders…mehr

Produktbeschreibung
During the 1950s and 1960s, the use of local building styles and traditional materials seemed to be on the wane. But shortly after that the historic architecture of the American Southwest rapidly began to win a new popularity. The turnaround was partly a product of the back-to-earth movement, the energy crises of the 1970s, and a reawakening of interest in regional history. But it received a boost, too, from advances in the use of solar energy--many of the new developments being especially adaptable to adobe structures. Individuals planning their dream house led the way, but many home builders and architects, taking note of the demand, followed the trend setters. At the same time, "how-to" books and articles on Southwestern traditional architecture began to find a large readership. Among those in the forefront of this small phenomenon was artist and writer Myrtle Stedman. A long-time resident of the Santa Fe, New Mexico area, she had been a champion of the old ways in building for much of her adult life. Indeed, her books "Adobe Architecture" and "Adobe Remodeling and Fireplaces" in significant measure helped spark the return to traditional construction. Mrs. Stedman has now added to her earlier accomplishments with the present sketchbook, focusing on the numerous fascinating and picturesque aspects of rural architecture, focusing on northern New Mexico and southern Colorado. Her splendid pen and ink drawings, reminding one of Eric Sloane's work on rural America, have a three-fold value. In the first instance, they serve as an accurate documentary record of features and styles that comprise the unique architecture of this area. Secondly, the drawings will prove a boon to those wishing to restore buildings and improve rural properties along traditional lines. And finally, the artistic merit and natural charm of the sketchbook should appeal to all those who possess an aesthetic appreciation for the Southwestern landscape, be it natural or that part which is manmade.
Autorenporträt
Myrtle Stedman was known as an "Artist in Adobe," designing, building, and remodeling adobe homes under a contractor's license. She was also a well-known artist whose academic training started in 1927 when she was a student in the Houston Museum of Fine Arts school. Her English born husband, Wilfred Stedman, whose background was in architecture as well as in painting and illustrating was recognized as one of the most outstanding artists of the American Southwest. Adobe architecture in New Mexico was one of Wilfred's favorite topics of conversation and Myrtle was instilled with the love of adobes from the moment they were married. After his death in 1950, Myrtle went on to become one of the foremost authorities on adobe construction. Myrtle Stedman was a member of PEN New Mexico, a branch of PEN Center USA West of International PEN and believed that there is no end to what the mind can do with the eye and hand, in time and in spirit. She is also the author of "Artists in Adobe," "A House Not Made With Hands," "Adobe Architecture," "Of One Mind," "Of Things to Come," "Ongoing Life," "Rural Architecture," "The Ups and Downs of Living Alone in Later Life," and "The Way Things Are or Could Be," all from Sunstone Press.