Rubens¿
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Seminar paper from the year 2015 in the subject Art - Visual artists, grade: 1,5, University College Dublin, language: English, abstract: When looking at research done about Peter Paul Rubens onecan not get around a thesis that has been raised by many scholars over the years:Two major altarpieces, namely the "Raising of the Cross" from1610-1611 and "Descent from the Cross from 1611-1614 havebeen seen as opposing artworks and stand as surrogates for his Baroque and Classical phase, respectively.How come these two artworks, finished only a few years apart from each other, gave way to such a big…mehr

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Seminar paper from the year 2015 in the subject Art - Visual artists, grade: 1,5, University College Dublin, language: English, abstract: When looking at research done about Peter Paul Rubens onecan not get around a thesis that has been raised by many scholars over the years:Two major altarpieces, namely the "Raising of the Cross" from1610-1611 and "Descent from the Cross from 1611-1614 havebeen seen as opposing artworks and stand as surrogates for his Baroque and Classical phase, respectively.How come these two artworks, finished only a few years apart from each other, gave way to such a big divide?Is there knowledge to be gained by using traditional stylisticterms to separate Rubens workflow into phases?This paper will explore the divide of the two altarpieces and provide a cohesive analysis of differences, similarities, influences and innovation.Starting with a short introduction to the historical background,a short description is provided to lead into a selective comparison.