Making use of new and original material based on first-hand sources, this book interrogates the vogue for collecting, discussing, depicting and putting to political and cultural use Roman antiquities in the French Renaissance. It surveys a range of activity from the labours of collectors and patrons to royal entries, considers attacks on the craze for the antique, and sets literary instances among a much wider spectrum of artistic endeavour.
Making use of new and original material based on first-hand sources, this book interrogates the vogue for collecting, discussing, depicting and putting to political and cultural use Roman antiquities in the French Renaissance. It surveys a range of activity from the labours of collectors and patrons to royal entries, considers attacks on the craze for the antique, and sets literary instances among a much wider spectrum of artistic endeavour.
Richard Cooper is Professor of French at Oxford University, where he is Chair of the Modern Languages Faculty Board, and a Fellow of Brasenose College.
Inhaltsangabe
Contents: Introduction Early antiquarian taste, 1500-1530 French diplomats in Italy, 1530-50 French diplomats in Italy, 1550-60 Collections at court French artists in Italy, 1530-65 Antiquarian art Triumphal entries, 1531-65 Fiction and the antique The poetry of ruins Conclusion Appendix Bibliography Index.
Contents: Introduction Early antiquarian taste, 1500-1530 French diplomats in Italy, 1530-50 French diplomats in Italy, 1550-60 Collections at court French artists in Italy, 1530-65 Antiquarian art Triumphal entries, 1531-65 Fiction and the antique The poetry of ruins Conclusion Appendix Bibliography Index.
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