Colleen Kennedy-Karpat
Rogues, Romance, and Exoticism in French Cinema of the 1930s
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Colleen Kennedy-Karpat
Rogues, Romance, and Exoticism in French Cinema of the 1930s
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Empire alone cannot contain the range of the exoticist imaginary in French fiction cinema of the 1930s. Rogues, Romance, and Exoticism in French Cinema of the 1930s proposes a critical framework for exoticist cinema that subsumes and exceeds colonial territory, analyzing the recurring figures, common settings, major stars, key plot devices, and narrative outcomes that dominated exoticist cinema at its popular peak.
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Empire alone cannot contain the range of the exoticist imaginary in French fiction cinema of the 1930s. Rogues, Romance, and Exoticism in French Cinema of the 1930s proposes a critical framework for exoticist cinema that subsumes and exceeds colonial territory, analyzing the recurring figures, common settings, major stars, key plot devices, and narrative outcomes that dominated exoticist cinema at its popular peak.
Produktdetails
- Produktdetails
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 230
- Erscheinungstermin: 24. Februar 2015
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 340g
- ISBN-13: 9781611478099
- ISBN-10: 161147809X
- Artikelnr.: 41756297
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 230
- Erscheinungstermin: 24. Februar 2015
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 340g
- ISBN-13: 9781611478099
- ISBN-10: 161147809X
- Artikelnr.: 41756297
By Colleen Kennedy-Karpat
CONTENTS Acknowledgments Exoticism in 1930s France: The Colonial and Beyond
PART ONE: Men Outside the Mainstream Chapter 1: Jean Gabin, le cafard, and
Western Solidarity La Bandera (1935): Cultural Cohesion and Colonial
Mercenaries Pépé le Moko (1937) and the Multiethnic Exotic Le Messager
(1937): Failure to Adapt Chapter 2: Assimilation Anxiety and Rogue Colons
Men Who Stayed Too Long El Guelmouna, marchand de sable (1931): Rivalry
(and Russians) in Rural Algeria Amok (1934): Cultural Readmission at All
Costs L'Esclave blanc (1936): Segregationist Parable PART TWO: Romancing
the Exotic Chapter 3: Tragedy and Triumph for Interracial Love Caïn,
aventure des mers exotiques (1930) and Baroud (1932): Lasting Love in the
Colonies Le Simoun (1933) and Yamilé sous les cèdres (1939): Triumph,
Tragedy, Responsibility Women's Agency and Exoticist Romance Chapter 4:
Métissage and Cultural Repatriation La Dame de Malacca (1937): European
Frog, Exotic Prince (Re)claiming French Identity in La Maison du Maltais
(1938) L'Esclave blanche (1939): A Westerner in the Harem Redefining
Exoticist Romance PART THREE: France Imagines the Far East Chapter 5:
Shanghai Fantasies and the Geishas of Joinville Mollenard (1938) and Le
Drame de Shanghaï (1938): Exiled in (and from) the East Yoshiwara (1936)
and La Bataille (1934): Lovers and Fighters in the Land of the Rising Sun
Chapter 6: Sessue Hayakawa's French Resurrection, 1936-1939 Forfaiture
(1937): A Legend Revised, a Legacy Reborn Patrouille blanche (1939/1942):
Bringing the Other Back Home Macao, l'enfer du jeu (1939/1942): The Exotic
Father Exoticism in Transition L'Homme du Niger (1940): Patriotism and
Paternalism in Africa Malaria (1943): Imperial Stasis Descendants of
Interwar Exoticism from Decolonization to the New Century Annotated
Filmography Bibliography Index
PART ONE: Men Outside the Mainstream Chapter 1: Jean Gabin, le cafard, and
Western Solidarity La Bandera (1935): Cultural Cohesion and Colonial
Mercenaries Pépé le Moko (1937) and the Multiethnic Exotic Le Messager
(1937): Failure to Adapt Chapter 2: Assimilation Anxiety and Rogue Colons
Men Who Stayed Too Long El Guelmouna, marchand de sable (1931): Rivalry
(and Russians) in Rural Algeria Amok (1934): Cultural Readmission at All
Costs L'Esclave blanc (1936): Segregationist Parable PART TWO: Romancing
the Exotic Chapter 3: Tragedy and Triumph for Interracial Love Caïn,
aventure des mers exotiques (1930) and Baroud (1932): Lasting Love in the
Colonies Le Simoun (1933) and Yamilé sous les cèdres (1939): Triumph,
Tragedy, Responsibility Women's Agency and Exoticist Romance Chapter 4:
Métissage and Cultural Repatriation La Dame de Malacca (1937): European
Frog, Exotic Prince (Re)claiming French Identity in La Maison du Maltais
(1938) L'Esclave blanche (1939): A Westerner in the Harem Redefining
Exoticist Romance PART THREE: France Imagines the Far East Chapter 5:
Shanghai Fantasies and the Geishas of Joinville Mollenard (1938) and Le
Drame de Shanghaï (1938): Exiled in (and from) the East Yoshiwara (1936)
and La Bataille (1934): Lovers and Fighters in the Land of the Rising Sun
Chapter 6: Sessue Hayakawa's French Resurrection, 1936-1939 Forfaiture
(1937): A Legend Revised, a Legacy Reborn Patrouille blanche (1939/1942):
Bringing the Other Back Home Macao, l'enfer du jeu (1939/1942): The Exotic
Father Exoticism in Transition L'Homme du Niger (1940): Patriotism and
Paternalism in Africa Malaria (1943): Imperial Stasis Descendants of
Interwar Exoticism from Decolonization to the New Century Annotated
Filmography Bibliography Index
CONTENTS Acknowledgments Exoticism in 1930s France: The Colonial and Beyond
PART ONE: Men Outside the Mainstream Chapter 1: Jean Gabin, le cafard, and
Western Solidarity La Bandera (1935): Cultural Cohesion and Colonial
Mercenaries Pépé le Moko (1937) and the Multiethnic Exotic Le Messager
(1937): Failure to Adapt Chapter 2: Assimilation Anxiety and Rogue Colons
Men Who Stayed Too Long El Guelmouna, marchand de sable (1931): Rivalry
(and Russians) in Rural Algeria Amok (1934): Cultural Readmission at All
Costs L'Esclave blanc (1936): Segregationist Parable PART TWO: Romancing
the Exotic Chapter 3: Tragedy and Triumph for Interracial Love Caïn,
aventure des mers exotiques (1930) and Baroud (1932): Lasting Love in the
Colonies Le Simoun (1933) and Yamilé sous les cèdres (1939): Triumph,
Tragedy, Responsibility Women's Agency and Exoticist Romance Chapter 4:
Métissage and Cultural Repatriation La Dame de Malacca (1937): European
Frog, Exotic Prince (Re)claiming French Identity in La Maison du Maltais
(1938) L'Esclave blanche (1939): A Westerner in the Harem Redefining
Exoticist Romance PART THREE: France Imagines the Far East Chapter 5:
Shanghai Fantasies and the Geishas of Joinville Mollenard (1938) and Le
Drame de Shanghaï (1938): Exiled in (and from) the East Yoshiwara (1936)
and La Bataille (1934): Lovers and Fighters in the Land of the Rising Sun
Chapter 6: Sessue Hayakawa's French Resurrection, 1936-1939 Forfaiture
(1937): A Legend Revised, a Legacy Reborn Patrouille blanche (1939/1942):
Bringing the Other Back Home Macao, l'enfer du jeu (1939/1942): The Exotic
Father Exoticism in Transition L'Homme du Niger (1940): Patriotism and
Paternalism in Africa Malaria (1943): Imperial Stasis Descendants of
Interwar Exoticism from Decolonization to the New Century Annotated
Filmography Bibliography Index
PART ONE: Men Outside the Mainstream Chapter 1: Jean Gabin, le cafard, and
Western Solidarity La Bandera (1935): Cultural Cohesion and Colonial
Mercenaries Pépé le Moko (1937) and the Multiethnic Exotic Le Messager
(1937): Failure to Adapt Chapter 2: Assimilation Anxiety and Rogue Colons
Men Who Stayed Too Long El Guelmouna, marchand de sable (1931): Rivalry
(and Russians) in Rural Algeria Amok (1934): Cultural Readmission at All
Costs L'Esclave blanc (1936): Segregationist Parable PART TWO: Romancing
the Exotic Chapter 3: Tragedy and Triumph for Interracial Love Caïn,
aventure des mers exotiques (1930) and Baroud (1932): Lasting Love in the
Colonies Le Simoun (1933) and Yamilé sous les cèdres (1939): Triumph,
Tragedy, Responsibility Women's Agency and Exoticist Romance Chapter 4:
Métissage and Cultural Repatriation La Dame de Malacca (1937): European
Frog, Exotic Prince (Re)claiming French Identity in La Maison du Maltais
(1938) L'Esclave blanche (1939): A Westerner in the Harem Redefining
Exoticist Romance PART THREE: France Imagines the Far East Chapter 5:
Shanghai Fantasies and the Geishas of Joinville Mollenard (1938) and Le
Drame de Shanghaï (1938): Exiled in (and from) the East Yoshiwara (1936)
and La Bataille (1934): Lovers and Fighters in the Land of the Rising Sun
Chapter 6: Sessue Hayakawa's French Resurrection, 1936-1939 Forfaiture
(1937): A Legend Revised, a Legacy Reborn Patrouille blanche (1939/1942):
Bringing the Other Back Home Macao, l'enfer du jeu (1939/1942): The Exotic
Father Exoticism in Transition L'Homme du Niger (1940): Patriotism and
Paternalism in Africa Malaria (1943): Imperial Stasis Descendants of
Interwar Exoticism from Decolonization to the New Century Annotated
Filmography Bibliography Index