Exhibition Dates:
The Museum of Contemporary Art, Los Angeles, September 12, 2004- December 13, 2004
Dallas Museum of Art, Texas, January 14, 2005-April 3, 2005
Whitney Museum of American Art, New York City, June 2005-October 2005
Description
This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades.
Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology.
Contents
Foreword
Acknowledgments
Introduction
--Eugenie Tsai
Cosmic Exile: Turns in the Life and Art of Robert Smithson
--Thomas Crow
The Taste of Time: Salt and the Spiral Jetty
--Jennifer Roberts
Towards "a new type of building": Robert Smithson's Architectural Criticism
--Mark Linder
Enantiomorphic Models
--Ann Reynolds
In the Yucatan: Mirroring Presence and Absence
--Suzaan Boettger
Robert Smithson's Proposal for Monument at Antarctica
--Robert Sobieszek
"A Heap of Language": Robert Smithson and American Hieroglyphics
--Richard Sieburth
The Catalogue of Robert Smithson's Library
--Alexander Alberro
The Library List
Beyond Duchamp: An Interview with Robert Smithson
--Moira Roth
A Lurid Presence: Smithson's Legacy and Post-Studio Art
--Cornelia Butler
Checklist of the Exhibition
Exhibition Chronology
The Museum of Contemporary Art, Los Angeles, September 12, 2004- December 13, 2004
Dallas Museum of Art, Texas, January 14, 2005-April 3, 2005
Whitney Museum of American Art, New York City, June 2005-October 2005
Description
This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades.
Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology.
Contents
Foreword
Acknowledgments
Introduction
--Eugenie Tsai
Cosmic Exile: Turns in the Life and Art of Robert Smithson
--Thomas Crow
The Taste of Time: Salt and the Spiral Jetty
--Jennifer Roberts
Towards "a new type of building": Robert Smithson's Architectural Criticism
--Mark Linder
Enantiomorphic Models
--Ann Reynolds
In the Yucatan: Mirroring Presence and Absence
--Suzaan Boettger
Robert Smithson's Proposal for Monument at Antarctica
--Robert Sobieszek
"A Heap of Language": Robert Smithson and American Hieroglyphics
--Richard Sieburth
The Catalogue of Robert Smithson's Library
--Alexander Alberro
The Library List
Beyond Duchamp: An Interview with Robert Smithson
--Moira Roth
A Lurid Presence: Smithson's Legacy and Post-Studio Art
--Cornelia Butler
Checklist of the Exhibition
Exhibition Chronology