Rites, Rights & Rhythms traces traditional Afro-Colombian currulao music from colonial slavery to today's black social movement. The book illuminates a history of struggles over the music's meanings, portraying one of the hemisphere's most important black cultures, and offering a theory of history traced through the performative practice of currulao.
Rites, Rights & Rhythms traces traditional Afro-Colombian currulao music from colonial slavery to today's black social movement. The book illuminates a history of struggles over the music's meanings, portraying one of the hemisphere's most important black cultures, and offering a theory of history traced through the performative practice of currulao.
Michael Birenbaum Quintero received his Master's and Doctoral degrees in Ethnomusicology at New York University. His research focuses on the music of the black inhabitants of Colombia's Pacific coast region, cultural politics, violence and trauma, black cosmopolitanism, and vernacular uses of technology. He is Assistant Professor of Music at Boston University.
Inhaltsangabe
* Contents * Acknowledgements * About the CompanionWebsite * List of Figures * A Note on Images * Introduction * 1. The Sounded Poetics of the Black Southern Pacific * 2. Music in the Mines: Abject Cosmopolitans and Musical Practice in the Colonial Southern Pacific * 3. Modernities and Non-Modernities in Black Pacific Music * 4. Race, Region, Representativity, and the Folklore Paradigm * 5. Between Legibility and Alterity : Black Music Self-Making in the Age of Ethnodiversity * Conclusion * References * Index
* Contents * Acknowledgements * About the CompanionWebsite * List of Figures * A Note on Images * Introduction * 1. The Sounded Poetics of the Black Southern Pacific * 2. Music in the Mines: Abject Cosmopolitans and Musical Practice in the Colonial Southern Pacific * 3. Modernities and Non-Modernities in Black Pacific Music * 4. Race, Region, Representativity, and the Folklore Paradigm * 5. Between Legibility and Alterity : Black Music Self-Making in the Age of Ethnodiversity * Conclusion * References * Index
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