"These exciting and varied essays probe the relations between cinematic realism and representations of the body--above all the body as a guarantor (or not) of a link between images and the real. As in the best collections, the essays present distinctive points-of-view, yet they cohere around a compelling through-line, offering illumination and insight beyond just the sum of their parts."--Leo Charney, author of "Empty Moments: Cinema, Modernity, and Drift"
"These exciting and varied essays probe the relations between cinematic realism and representations of the body--above all the body as a guarantor (or not) of a link between images and the real. As in the best collections, the essays present distinctive points-of-view, yet they cohere around a compelling through-line, offering illumination and insight beyond just the sum of their parts."--Leo Charney, author of "Empty Moments: Cinema, Modernity, and Drift"
Ivone Margulies is Associate Professor in the Film and Media Studies Department at Hunter College. She is the author of Nothing Happens: Chantal Akerman’s Hyperrealist Everyday.
Inhaltsangabe
Acknowledgments ix Bodies Too Much / Ivone Margulies 1 Bazinian Contingencies Death Every Afternoon / André Bazin 27 Translated by Mark A. Cohen The Screen of Fantasy (Bazin and Animals) / Serge Daney 32 Translated by Mark A. Cohen History of Image, Image of History: Subject and Ontology in Bazin / Philip Rosen 42 The Object of Theory / Mary Ann Doane 80 Cultural Indices No Longer Absolute: Portraiture in American Avant-Garde and Documentary Films of the Sixties / Paul Arthur 93 In Search of the Real City: Cinematic Representations of Beijing and the Politics of Vision / Xiaobing Tang 119 Private Reality: Hara Kazou's Films / Abé Mark Nornes 144 Mike Leigh's Modernist Realism / Richard Porton 164 Why Is This Absurd Picture Here? Ethnology/Heterology/Buñuel / James F. Lastra 185 Retracings Exemplary Bodies: Reenactment in Love in the City, Sons, and Close Up / Ivone Margulies 217 Pasolini on Terra Sancta: Towards a Theology of Film / Noa Steimatsky 245 Ecstatic Ethnography: Maya Deren and the Filming of Possession Rituals / Catherine Russell 270 Filmic Tableau Vivant: Vermeer, Intermediality, and the Real / Brigitte Peucker 294 Dreyer's Textual Realism / James Schamus 315 Selected Bibliography 325 Contributors 333 Index 337
Acknowledgments ix Bodies Too Much / Ivone Margulies 1 Bazinian Contingencies Death Every Afternoon / André Bazin 27 Translated by Mark A. Cohen The Screen of Fantasy (Bazin and Animals) / Serge Daney 32 Translated by Mark A. Cohen History of Image, Image of History: Subject and Ontology in Bazin / Philip Rosen 42 The Object of Theory / Mary Ann Doane 80 Cultural Indices No Longer Absolute: Portraiture in American Avant-Garde and Documentary Films of the Sixties / Paul Arthur 93 In Search of the Real City: Cinematic Representations of Beijing and the Politics of Vision / Xiaobing Tang 119 Private Reality: Hara Kazou's Films / Abé Mark Nornes 144 Mike Leigh's Modernist Realism / Richard Porton 164 Why Is This Absurd Picture Here? Ethnology/Heterology/Buñuel / James F. Lastra 185 Retracings Exemplary Bodies: Reenactment in Love in the City, Sons, and Close Up / Ivone Margulies 217 Pasolini on Terra Sancta: Towards a Theology of Film / Noa Steimatsky 245 Ecstatic Ethnography: Maya Deren and the Filming of Possession Rituals / Catherine Russell 270 Filmic Tableau Vivant: Vermeer, Intermediality, and the Real / Brigitte Peucker 294 Dreyer's Textual Realism / James Schamus 315 Selected Bibliography 325 Contributors 333 Index 337
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