Papa Jo Jones (1911–1985) was one of the most influential jazz drummers of all time. He played with Count Basie and his orchestra from 1936 until he entered the army in 1944, and again from 1946 to 1948. He also played on Billie Holiday’s early records. From the late forties on, Jones had a spectacular solo career, playing with Jazz at the Philharmonic and the Newport Jazz Festival, recording under his own name, and playing on albums by Duke Ellington, Teddy Wilson, Benny Carter, and many others. Albert Murray was a cofounder of Jazz at Lincoln Center. His many books include Train Whistle Guitar and Good Morning Blues: The Autobiography of Count Basie. Paul Devlin is a doctoral student in the English Department at Stony Brook University. His writing has appeared in the New York Times Book Review, Slate, the Root, and the San Francisco Chronicle, among other publications. Phil Schaap has broadcast jazz on New York City’s WKCR for more than forty years. He taught at Princeton University and currently teaches at Julliard. He is the curator at Jazz at Lincoln Center.
Inhaltsangabe
Contents Editor’s Preface Introduction: The Musical Life of Papa Jo JonesPaul Devlin Rifftide I Have Had a Varied Life Can’t Nobody Tell Me One Inch about Show Business The Count Basie Institution They Said the Negro Would Never Be Free My Thirst after Knowledge Will Never Cease People I’ve Rubbed Elbows With I Often Wondered Why I Was Such a Strange Fella Afterword: The Persistence of Papa Jo JonesPhil Schaap Editor’s Notes Index
Contents Editor’s Preface Introduction: The Musical Life of Papa Jo JonesPaul Devlin Rifftide I Have Had a Varied Life Can’t Nobody Tell Me One Inch about Show Business The Count Basie Institution They Said the Negro Would Never Be Free My Thirst after Knowledge Will Never Cease People I’ve Rubbed Elbows With I Often Wondered Why I Was Such a Strange Fella Afterword: The Persistence of Papa Jo JonesPhil Schaap Editor’s Notes Index
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