Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another.
Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another.
Carlos Rojas is Assistant Professor of Chinese Cultural Studies at Duke University. Eileen Cheng-yin Chow is Associate Professor of Chinese Literary and Cultural Studies at Harvard University.
Inhaltsangabe
Introduction The Disease of Canonicity Carlos Rojas Part 1: Producing Popularity 1. Perverse Poems and Suspicious Salons: The Friday School in Modern Chinese Literature Michel Hockx 2. The Formation of the "Professional Author" as a Figure in Early Twentieth Century Vernacular Fiction Alexander Des Forges 3. Serial Sightings: News, Novelties, and Zhang Henshui's An Unofficial History of the Old Capital Eileen Cheng-yin Chow 4. On the Literary Consecration of Jin Yong's Fiction John Christopher Hamm Part 2: Canonical Reflections 5. An Archaeology of Repressed Popularity: Zhou Shoujuan, Mao Dun, and Their 1920s Literary Polemics Jianhua Chen 6. A Tale of Two Cities: Romance, Revenge, and Nostalgia in Two Fin-de-Siècle Novels by Ye Zhaoyan and Zhang Beihai Michael Berry 7. From Romancing the State to Romancing the Store: Further Elaborations on Some Motifs in Contemporary Taiwan Literature Ping-hui Liao Part 3: Nostalgia and Amnesia 8. Rereading the Red Classics: "Bidding Farewell to Revolution" and Red Nostalgia DAI Jinhua 9. The Reproduction of a Popular Hero: Tsui Hark's Wong Fei-hong Weijie Song 10. Memory, Photographic Seduction and Allegorical Correspondence: Eileen Chang's Mutual Reflections Xiaojue Wang Part 4: Gender and Desire 11. Popular Literature and National Representation: The Gender and Genre Politics of Begonia David Der-wei Wang 12. Asking Jin Yong, 'What is sentiment?' - Gifts, Love Letters, and Material Evidence Hsiao-hung Chang 13. Authorial Afterlives and Apocrypha in 1990s Chinese Fiction Carlos Rojas
Introduction The Disease of Canonicity Carlos Rojas Part 1: Producing Popularity 1. Perverse Poems and Suspicious Salons: The Friday School in Modern Chinese Literature Michel Hockx 2. The Formation of the "Professional Author" as a Figure in Early Twentieth Century Vernacular Fiction Alexander Des Forges 3. Serial Sightings: News, Novelties, and Zhang Henshui's An Unofficial History of the Old Capital Eileen Cheng-yin Chow 4. On the Literary Consecration of Jin Yong's Fiction John Christopher Hamm Part 2: Canonical Reflections 5. An Archaeology of Repressed Popularity: Zhou Shoujuan, Mao Dun, and Their 1920s Literary Polemics Jianhua Chen 6. A Tale of Two Cities: Romance, Revenge, and Nostalgia in Two Fin-de-Siècle Novels by Ye Zhaoyan and Zhang Beihai Michael Berry 7. From Romancing the State to Romancing the Store: Further Elaborations on Some Motifs in Contemporary Taiwan Literature Ping-hui Liao Part 3: Nostalgia and Amnesia 8. Rereading the Red Classics: "Bidding Farewell to Revolution" and Red Nostalgia DAI Jinhua 9. The Reproduction of a Popular Hero: Tsui Hark's Wong Fei-hong Weijie Song 10. Memory, Photographic Seduction and Allegorical Correspondence: Eileen Chang's Mutual Reflections Xiaojue Wang Part 4: Gender and Desire 11. Popular Literature and National Representation: The Gender and Genre Politics of Begonia David Der-wei Wang 12. Asking Jin Yong, 'What is sentiment?' - Gifts, Love Letters, and Material Evidence Hsiao-hung Chang 13. Authorial Afterlives and Apocrypha in 1990s Chinese Fiction Carlos Rojas
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