This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
This book a offers a multitude of provocative new perspectives on one of the most iconic composers in the Western classical tradition. Its collective rethinking of some of our most cherished narratives and deeply held beliefs about Johann Sebastian Bach will allow readers to see the man in a new light and to hear his music with new ears.
Bettina Varwig is Lecturer in Music at the University of Cambridge and Fellow of Emmanuel College. She has published widely on music and cultural history in the early modern period.
Inhaltsangabe
Acknowledgements List of Contributors Abbreviations Introduction: (Still) Talking about Bach Bettina Varwig I. Histories Chapter 1 Bach and Material Culture Stephen Rose Chapter 2 Rethinking 1829 Ellen Exner Chapter 3 Post/Colonial Bach Yvonne Liao II. Bodies Chapter 4 Bach and the Soprano Voice Wendy Heller Chapter 5 Embodied Invention: Bach at the Keyboard Bettina Varwig Chapter 6 Rethinking Affect Isabella van Elferen III. Meanings Chapter 7 Bach and Theology Jeremy Begbie Chapter 8 Bach the Humorist David Yearsley Chapter 9 Rethinking Bach Codes Daniel R. Melamed Chapter 10 Bach's Works and the Listener's Viewpoint John Butt IV. Currents Chapter 11 Bach's Chorale Pedagogy Derek Reme Chapter 12 Rethinking Editions: Mass, Missa, and Monument Culture Joshua Rifkin Chapter 13 Bach Against Modernity Michael Marissen Chapter 14 Bach Anxiety: A Meditation on the Future of the Past Michael Markham Works Cited Index
Acknowledgements List of Contributors Abbreviations Introduction: (Still) Talking about Bach Bettina Varwig I. Histories Chapter 1 Bach and Material Culture Stephen Rose Chapter 2 Rethinking 1829 Ellen Exner Chapter 3 Post/Colonial Bach Yvonne Liao II. Bodies Chapter 4 Bach and the Soprano Voice Wendy Heller Chapter 5 Embodied Invention: Bach at the Keyboard Bettina Varwig Chapter 6 Rethinking Affect Isabella van Elferen III. Meanings Chapter 7 Bach and Theology Jeremy Begbie Chapter 8 Bach the Humorist David Yearsley Chapter 9 Rethinking Bach Codes Daniel R. Melamed Chapter 10 Bach's Works and the Listener's Viewpoint John Butt IV. Currents Chapter 11 Bach's Chorale Pedagogy Derek Reme Chapter 12 Rethinking Editions: Mass, Missa, and Monument Culture Joshua Rifkin Chapter 13 Bach Against Modernity Michael Marissen Chapter 14 Bach Anxiety: A Meditation on the Future of the Past Michael Markham Works Cited Index
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