The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a record company that becomes a monument to racial harmony in 1960's segregated south Memphis. Their success is startling, and Stax soon defines an international sound. Then, after losses both business and personal, the siblings part, and the brother allies with a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, they fall from great heights to a tragic demise. Everything is lost, and the sanctuary that flourished is ripped from the…mehr
The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a record company that becomes a monument to racial harmony in 1960's segregated south Memphis. Their success is startling, and Stax soon defines an international sound. Then, after losses both business and personal, the siblings part, and the brother allies with a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, they fall from great heights to a tragic demise. Everything is lost, and the sanctuary that flourished is ripped from the ground. A generation later, Stax is rebuilt brick by brick to once again bring music and opportunity to the people of Memphis. Set in the world of 1960s and '70s soul music, Respect Yourself is a story of epic heroes in a shady industry. It's about music and musicians -- Isaac Hayes, Otis Redding, Sam and Dave, Wilson Pickett, the Staple Singers, and Booker T. and the M.G.'s, Stax's interracial house band. It's about a small independent company's struggle to survive in a business world of burgeoning conglomerates. And always at the center of the story is Memphis, Tennessee, an explosive city struggling through heated, divisive years. Told by one of our leading music chroniclers, Respect Yourself brings to life this treasured cultural institution and the city that created it.
Robert Gordon is Professor of Theatre and Director of the Pinter Centre for Performance and Creative Writing at Goldsmiths, University of London, where in 2003 he introduced the first British MA in Musical Theatre for producers and writers and a new BA in Musical Theatre in 2018. He is author of The Purpose of Playing: Modern Acting Theory in Perspective (2006), Harold Pinter's Theatre of Power (2012) and, with Olaf Jubin and Millie Taylor, British Musical Theatre Since 1950 (2016). Edited collections include The Oxford Handbook of Sondheim Studies (2014) and, with Olaf Jubin, The Oxford Handbook of the British Musical (2016). He has acted and directed in South Africa, the UK, Ireland, the USA, Italy, Russia and the Czech Republic. In 2013, he directed the European première of Kander and Ebb's Steel Pier in Brno, while his musical version of Five Children and It with composer Nick Hutson, received a professional workshop in 2015. He is currently engaged as a writer and actor of Shylock Speaks, which premiered in February 2020.
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