In Resonant Recoveries, author Jillian C. Rogers shows what a profound effect World War I had on French musical life as musicians and their audiences turned to music as a consolatory practice to help them mourn their losses and heal their wounds.
In Resonant Recoveries, author Jillian C. Rogers shows what a profound effect World War I had on French musical life as musicians and their audiences turned to music as a consolatory practice to help them mourn their losses and heal their wounds.
Jillian C. Rogers is Assistant Professor of Musicology at Indiana University. Her research centers on relationships between music/sound and trauma in historical contexts.
Inhaltsangabe
* List of Figures * List of Tables * List of Musical Examples * List of Abbreviations * Acknowledgements * Preface * Introduction: "La Plus Grande Consolatrice": Music as a Corporeal Technology of Consolation in Interwar France * Chapter 1: Music Making as Emotional Care: Negotiating Trauma, Expressional Norms, and Politics in Wartime France * Chapter 2: Embodying Sonic Resonance As/After Trauma: Vibration, Music, and Medicine * Chapter 3: Soothing Movements: The Consolatory Potential of Musique Dépouillée's Rhythm and Repetition * Chapter 4: In Search of a Consolatory Past: Grief and Embodied Musical Memory * Chapter 5: Rire as Release and Rapport: Pleasure and Laughter in French Interwar Musical Theater * Conclusion: Touched by Music Making: Intimacy and Love in the Wake of Trauma * Bibliography * Index
* List of Figures * List of Tables * List of Musical Examples * List of Abbreviations * Acknowledgements * Preface * Introduction: "La Plus Grande Consolatrice": Music as a Corporeal Technology of Consolation in Interwar France * Chapter 1: Music Making as Emotional Care: Negotiating Trauma, Expressional Norms, and Politics in Wartime France * Chapter 2: Embodying Sonic Resonance As/After Trauma: Vibration, Music, and Medicine * Chapter 3: Soothing Movements: The Consolatory Potential of Musique Dépouillée's Rhythm and Repetition * Chapter 4: In Search of a Consolatory Past: Grief and Embodied Musical Memory * Chapter 5: Rire as Release and Rapport: Pleasure and Laughter in French Interwar Musical Theater * Conclusion: Touched by Music Making: Intimacy and Love in the Wake of Trauma * Bibliography * Index
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